Who owns "the MIND of America?" Want ALL the "names & numbers" from the Colonial Era down to this day; TEA PARTY--in 2019? Follow this thread along "THE GRAND TOUR LIE 1711-2152" into "religion in politics" mystery key to "9/11," II KINGS 13:20-21. MUST READ: Arthur Graham, "SOUTHERN RENAISSANCE Subliminal Omni Ciphers & the Autotelic Structure of the Land and Slave Kingdom of God" 2012); 328 pgs. Go here https://blackstudieslegacyfoundation.org/ Recently, Oliver Stone hinted "apology" for Marcus Garvey. I am of the "Garvey" tribe and I come to kick NWO Zionists "azz!" [This video "shared" at MEDIA WATCH DAILY, link above.]
President Trump Signs Executive Order to Revitalize Urban Communities
Thank you. {MT 198 Best sermon since emancipation, forty acres & a mule, Civil Rights Act, I (me, too) have a dream, and repeated sermon --- the PATRIOT 'SLAVE' ACT.} [Follow-up @ menu "JIMP To Congress" click above.] SHARED at https://blackstudieslegacyfoundation.org/
Actions Speak Louder Than Words: The Real Donald Trump
https://youtube/_SAEtJj14vk?t=109 } & apologize for African slavery in America. In 2008, Dr. Arthur Graham wrote "Jupiter Island Media Patriots" that blew the "occult cover" off false flag "9/11," by way of unveiling the RELIGION-IN-POLITICS, mystery key: "II KINGS 13:20-21." And in 2012, he published "SOUTHERN RENAISSANCE: Subliminal Omni Ciphers & the Autotelic Structure of the Land and Slave Kingdom of God," the MOST defining body of researched, "names & numbers" FACTS, from Cotton Mather's "Rules for the Society of Negroes" (1693), and from his nephew, Rev. Mather Byles who is the father-founder of the TEA PARTY, the inventor of negro cipher "Phillis Wheatley," that allegorically is the archetype of "M&M Obama," the Blue Lodge/DEEP STATE emblem of George W. Bush's "pet goat." Brother Stone, these works will back your call to pardon MARCUS GARVEY 100% and, without doubt, allow PRESIDENT TRUMP to DRAIN THE CORRUPT/MUELLER SWAMP & "make America Great Again!" PLEASE "CLICK" TO KICK & OVERCOME THE "DUMB-DOWN HUSH" that DESCENDED ON YOU ALL "WHITE" FOLKS" upon Stone's sounding of "PARDON." --- "Pimp My Ride" for PEACE & LOVE @ https://blackstudieslegacyfoundation.org/jimp-to-congress">
{EDITOR: BSLF} The sounding issue of "pardon" in connection with "PARDON Marcus Garvey" and the so-called "TRUMP DOSSIER" centers on the history of FBI FAKE DOCUMENTS "Based on a lie!" Follow us closely and see--TRUMP 'EM!
"Roger Stone seeks Trump pardon for black nationalist Marcus Garvey" {Explosive excerpt!}
“If you were convicted,” a reporter asked, “do you think the president would pardon you?”
“The only person I have advocated a pardon for,” Stone answered, “is Marcus Garvey.”
Marcus Garvey? As in Marcus Mosiah Garvey, the black nationalist leader who nearly a century ago inspired liberation movements in colonized Africa and the Caribbean? Garvey, who advocated self-governance, economic and political empowerment, and a “Back to Africa” movement for black people in the diaspora?
Julius Garvey has long argued that his father was targeted by then-FBI Director J. Edgar Hoover’s “obsession to neutralize the rise of a black liberator.” Julius Garvey led the “Justice4Garvey” campaign to exonerate his father.
In 2011, the Barack Obama administration rejected a posthumous pardon for Garvey, and in 2017, Obama left office without granting a pardon to Garvey.
In an interview with The Washington Post, Stone said he became fascinated by Garvey after picking up a biography in a New York bookstore.He does not remember when or the name of the book, but a friend had recommended that he read about Garvey. After finishing the book, Stone recalled deciding: “Marcus Garvey is one of my political heroes.”
Stone was captivated by Garvey’s battles with the federal government and was convinced that Garvey was targeted because of his race and because he preached black capitalism, entrepreneurship and empowerment.
“He was railroaded by the FBI,” Stone said.
"The real roots of the Harlem Renaissance lie in the Garvey Movement. Zora Neale Hurston, Alain Locke and Claude McKay all published in Garvey's Negro World before the "mainstream" Renaissance got going. Afro-America's first book reviews and literary competitions came out of the Garvey Movement. This volume presents a rich treasury of literary criticism, book reviews, poetry, short stories, music and art appreciation, polemics on the Black aesthetic and other never before published literary and cultural writings of Garvey's Harlem Renaissance. Authors range from the unknown to major literary and political figures whose Garvey connections few will suspect." [Amazon/source.]
Julius Malema | Full Address and Q&A | Oxford Union
This book presents a unique, tetranalysis™ documentary of collected “works and studies.” It is an aesthetic, ideological, religious, and marketing exposé of the origins and continuity of a certain Myth in Code: Negro Cipher Phillis Wheatley. It is an examination, evaluation, and exclusive critique of early textual “specimens” and of recent tangential, mass-media “excerpts” that may or may not contain subliminal messages. Overall, my purpose is to identify and to explicate this myth in code, cipher Wheatley, as it is consciously and unconsciously structured and formed, synchronically and diachronically, by way of Samuel Gilman’s Manichean doctrine of contrasted extremes. As a narrative force, this doctrine tends to convey and to induce racial divide differences overtly throughout the popular culture as well as covertly within the individual’s “subliminal” or “autotelic” mindset.
HISTORICAL VINDICATION OF MARCUS GARVEY:
FBI "DOSSIER" TO FRAME GARVEY IS SAME "SET UP" FBI ATTEMPT TO BRING DOWN
UNIA-ACL Jamaica President and Chair of the Garvey Studies Department at the Hydel University College expounds on teaching the philosophy of Marcus Garvey as part of the national education curriculum. Email: This email address is being protected from spambots. You need JavaScript enabled to view it.
This "Fox News" video shows a different photo of Judge Jackson than was fist displayed by Roger Stone; the reporter's voice over "described" the Instagram insert below but deliberately "gag-censor," "replace" and "omit," the mark of the bull's eye seen in the Instagram original release. "Fox Trot" to the juxtaposed images of Rep Omar and President Trump. N--word in de woodpile wants to know: "Do dat mean, white folks?" ... "We is stupid! Ain't we though?" ... BSLF accusation of forensic "subliminal racism" demands with impunity, that somebody, Mr. President, do more than "apologize." "No Justice No Peace" mandates that AG Barr must duly investigate whose "finger" is discretely on the trigger!
"No problem!" When double standards is the rule of the game, eh.
The black "in full colors" is crowned with the star Al Debaran the BULL'S EYE.
Sarah Palin "targeted" Obama on her "blood libel" list of "crosshairs."
PERSEUS the BREAKER delivering the redeemed, "gather the remnant of Israel." In the Denderah Zodiac his name is "Kar Knem," he who fights and subdues, RE: Rom 16:13, Micah 2:13 and Amos 5:8. SOURCE: "Southern Renaissance," p. 1 as ORION, pp. 88-89 and p. 139. FOX NEWS LOGO : "fox" all-seeing eye is magnified, DEEP-STATE, "DEATH'S-HEAD SET BEFORE US," Joke-Yoke BS!
Aldebaran: The Star in the Bull's Eye
Excerpt: "Aldebaran is the brightest star in the constellation Taurus and is known as the "Eye of Taurus." The name "Aldebaran" is Arabic, which means "The Follower" because it appears to follow the Hyades star cluster that forms the head of the bull."
[EXCERPT} Enki (also known as Ea, Enkig, Nudimmud, Ninsiku) was the Sumerian god of wisdom, fresh water, intelligence, trickery and mischief, crafts, magic, exorcism, healing, creation, virility, fertility, and art. Iconography depicts him as a bearded man wearing a horned cap and long robes as he ascends the Mountain of the Sunrise; flowing streams of water run from his shoulders, emphasizing his association with life-giving water, while trees representing the male and female principle stand in the background. The streams are interpreted as the Tigris and Euphrates Rivers which, according to one myth, were formed from Enki's semen. His name means "Lord of the Earth" and his symbols are the fish and the goat, both representations of fertility. {END EXCERPT.} SOURCE: https://www.ancient.eu/Enki/
The occult code word "love" is way over your JOKE-YOKE head. BS! New Zealand, NWO ZIONISTS TOOK OUT 49 … another 9/11 "swamp game" of thrones. Read more @ https://blackstudieslegacyfoundation.org/ [see menu "JIMP To Congress" for a deserving kick in yo dumb-down azz! Sincerelyhttps://www.youtube.com/watch?v=tdP9Iz9i5Gw: I is yo "n---word" in the woodpile.
How Major Street Gangs Are Connected With Freemasonry?? Gang Signs and Symbolism?? MUST WATCH
"THE BREAKER (Trump 'em!) is gone up before them ... Their King (Netanyahu) is passed on before them. And the LORD at the head of them." Micah 2:13. "Sit-in," i.e, religion in politics theater: The "Female Docas Society" sat in the grave of "widow Tabitha" (Pelosi's office), where "St Peter" (Rabbi Stages) raised her from the dead, to take out the "antisemitic," terrorist-Muslim Rep Omar. FAKE typology to coverup REAL Jewish crimes against humanity.
GOD vs. LUCIFER: POINT-COUNTERPOINT
"Donald Trump, Mike Pompeo, Mike Pence = Trinity Of Satan - DOOMSDAY CULT ALERT!!!"
{This subliminal death threat is immoral and illegal ... it is an attack on the African race, by the NWO ZIONIST "TORY-BASED DEEP STATE" ... counter-attack begins with BROWN vs. BOARD OF EDUCATIOM, Supreme Court Decision, 1954, click below.}
BATTLE CRY: "PARDON MARCUS GARVEY!" https://youtube/_SAEtJj14vk?t=109 } & apologize for African slavery in America. In 2008, Dr. Arthur Graham wrote "Jupiter Island Media Patriots" that blew the "occult cover" off false flag "9/11," by way of unveiling the RELIGION-IN-POLITICS, mystery key: "II KINGS 13:20-21." And in 2012, he published "SOUTHERN RENAISSANCE: Subliminal Omni Ciphers & the Autotelic Structure of the Land and Slave Kingdom of God," the MOST defining body of researched, "names & numbers" FACTS, from Cotton Mather's "Rules for the Society of Negroes" (1693), and from his nephew, Rev. Mather Byles who is the father-founder of the TEA PARTY, the inventor of negro cipher "Phillis Wheatley," that allegorically is the archetype of "M&M Obama," the Blue Lodge/DEEP STATE emblem of George W. Bush's "pet goat." Brother Stone, these works will back your call to pardon MARCUS GARVEY 100% and, without doubt, allow PRESIDENT TRUMP to DRAIN THE CORRUPT/MUELLER SWAMP & "make America Great Again!" PLEASE "CLICK" TO KICK & OVERCOME THE "DUMB-DOWN HUSH" that DESCENDED ON YOU ALL "WHITE" FOLKS" upon Stone's sounding of "PARDON." --- "Pimp My Ride" for PEACE & LOVE @ https://blackstudieslegacyfoundation.org/jimp-to-congress">
Media Literacy Grand Tour™
"THE ANGRY BLACK WOMAN"
Debut Assignment & Discussion: 9/11/2016
At midway into the video, observe Bush II seated and just above his head to the left, the Seal of the President of the United States―behold the Eagle, grasping in his left talon, the “13” arrows to be “demonstrative” that the New World Order is at war. But―shit! The Eagle's right talon, with the usual “olive branch of peace,” is blacked-out! Grab this “photo-shopped, religion-in-politics act,” along the 9/11 Grand Tour Lie 1711-2153, on p. 66, JIMP: “The Eagle always wants to face the olive branch, but in time of war, his gaze turns towards the arrows.”
View this "15th" anniversary recall by the man who “knew everything” and says nothing … and examine the photo-doc and count the number of single black women that are interspaced, at intervals, among the many, “hidden language of the negro," subliminal images, pointed to in Jupiter Island Media Patriots.
And how strange it is that most folks who see Edmund Burke as god-like never heard or read his “Sketch of a Negro Code” 1792 wherein he “slip rock” blacks into “yokes” of perpetual servitude and slavery with his hyper-myth of “entailed inheritance?” It would seem that a “logical” explanation lies in the reasoning given to Onesimus demise—history repeated in a separate bag—one for the masters beyond the “gap” and one for the rest of us, distinct and separate [Negro history], resulting in all of us being left behind as dunces in the rap-CRAP! How then is cipher Wheatley an emblem of failed “love and marriage” … by what process or “grace of god” did this transformation occur or happen?
In samples of opinions on “race, writing, and difference” presented herein, (such as “Black History” @ Uhttp://www.encyclopedia.com/topic/Mather_Byles.aspx ) we may observe the self indulging arrogance of those who are quick to determine and to define what non-whites within their worldwide “Invisible Empire” and jurisdiction should be, what they may adore, how and by what means they are to be elevated, deified, worship, and comparatively “be and become,” vis a vis the white man. For Mather Byles and his “complicit enablers,” apparently, “Black History” amounts to Byles tutoring himself and parodying himself at the expense of “back” womanhood, chained to the yoke of “converted” servitude, in heaven as well as on earth.
In a word, non-whites amount to what “tribalism” is: a repugnant rebuke of paganism found in savage Africa. Unfortunately, in the case of cipher “Whately,” as Graham has shown here and elsewhere, Byles invented a hyper-myth in code that is intended to foster conversion and to institute and implement black chattel slavery in the New World. By tracking the iconic “Whately” (Jefferson’s spelling) as a mean to achieve this end at Grand Tour “intervals” over three or more centuries we have come into the awareness of a forensic and divisive design that is unworthy of these United States of America professing to be one “free” nation, indivisible, and under God.
Rev. Byles’ admirer, Rev. Samuel Gilman “was strongly influenced by Thomas Brown’s concept of ‘felt relation’… a third stage in the process of comprehension, a ‘peculiar’ stage between ‘any conception as a whole and some of its parts.’” Hugh Swinton Legaré, Gilman’s co-editor at the Southern Review, August 1831, wrote two articles on applying English and American peculiar “animal” law: “Jeremy Bentham and the Utilitarians” and “Codification.” [The Manichean Leitmotif, p. 59.] In regard to the mystical, psychological, and ideological “branding” of a slave, “Phillis Wheatley” looms as the iconic archetype, as principles of morals and legislation of “felt relation,” within the Order of Southern Brotherhood. {End excerpt: Source, Southern Renaissance, p. 67.]
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Hathor Interview Series
“Beyond Anger: Restoring the Mother Church”
[Read more @ BSLF menu ABOUT US: "Mennefer Tanasi 198"]
MEDIA LITERACY SOLUTIONS - NAMES & NUMBERS
Syllabus: Sublime Insights into "Subliminal Racism" & "The Dirty Dance"
The fixed ideas that gave birth and rise to “subliminal racism” (coined by Graham, UCSD 1972) stem from internalization of the thought processes and conceptual patterns derived from “creation stories,” myths of progress, hymns, antinomian excuses from moral obligations, great awakenings, tremenda: the dreadful “sounding” from pulpits to chill the wicked, legends, fables, numerology, biblical allegories and typologies, Protestant and Vatican mystical theologies, canons, doctrines, paintings; photography, cinema, advertising, and, in general, from “show-me-de-money” aesthetic covenants, particularly, “Art For Art’s Sake,” by way of Rothschild-Masonic, “cosmic craft” conventions of “above and below”―”light dark” dialectics. A prime Masonic example is the Southern School (White Brotherhood) of Strategic and cunning, Manichean dualities, such as the esoteric “Autotelic Structure” of writing, race, and difference. [ Ernest Kaiser in his essay “A Critical Look At Ellison’s Fiction” points to Addison Gale, Jr. and the “autotelic structure.” See Graham: Subliminal Racism Essays, p, 52. See 1920s and 1930s rendition of "Southern Renaissance" @ https://en.wikipedia.org/wiki/Southern_Agrarians]
Pseudo-scientific “fixed ideas” concerning race, human intelligence, and eugenics also add to the continuity of subliminal racism. [See references to Enoch Lincoln and to William Shockley, below.]
In a word, we will acquire “sublime insights” by probing the historic origins and cultural sources that constitute the discrete TRICKNOLOGY behind “subliminal racism.” With this "history of ideas" awareness we become media literate in order to root out, dismiss, exorcise, and prevent racist physical, psychological, cultural, religious, environmental, political, economic, and forensic aesthetic “hyper-myths in code,” such as those behind the continuing attacks on black women---from Andromeda Phillis Wheatley to "Yo mama!"---to takeplace and to impact us all detrimentally. We all have experienced and expressed disturbing and traumatic symptoms by effacing subliminal racism—on both sides of the fence.
Judge Joe Brown on the Truth About The American Civil War, The MEaning Of REdneck, Rachel Dolezal @ https://www.youtube.com/watch?v=JjkzI3cOXEw Judge Joe Brown Exposes Big Oil, Energy Crisis, Climate Change & School To Prison PipelINe
Judge Joe Brown On The Art Of War, OrigINs of the Drug Trade & The Bush & Roosevelt Family
Here then is “solutions” for all―a new paradigm shift, or, one might say, a never-before presented, roundup and lineup of real NAMES and NUMBERS, within the history of ideas– not guess-work and vague “THEY” finger pointing—but a most profound display of ruling-class players of the race in power, weltering in the “dirty dance” Manichean game of demonology and witchcraft, slavery, colonialism, neo-colonialism, racism and sexism.
Over succeeding and successive generations, these key, “felt-relation” players speak and act with both “primeval and primordial” authority and “blood-line” sympathy or beholding and bonding to each other; these culprits are not fictions of the imagination or blaming fantasy turned reality; in Southern Renaissance: Subliminal Omni Cipher & the Autotelic Structure of the Land and Slave Kingdom of God, these individuals’ “skirts” are now discovered and their “heels made bare.”
Prince “Black” Harry – (Nodding German “Beggar”) to “wed” (Phillis Wheatley, aka Meghan Markle) – Mercury & Venus come into Alignment / Dec 21 / “Bridging the Breach” to a “Post Racial” NWO "What a pair!" - So-called "Valentine's Day" in February 2018 - PHOTO: "Pink Toe" in de arms od de beast! {MT 198 http://earthsky.org/astronomy-essentials/visible-planets-tonight-mars-jupiter-venus-saturn-mercury }
Excerpt: “Even down to 2153, the thought of freeing Satan to court a black slave girl that both of them may take up arms to free themselves instead of writing mystical theology remains repulsive to the examiners of Wheatley, and to instigators of Jupiter Hammon’s letter to Wheatley.” (MT 198: p. 95, Subliminal Racism)
"SMOOTH DOOD" HARRY, JR. - IN CONVERSATION W/ blog: by CHRISTOPHER BENTLEY
"Secret History of the Free Masons ~ Full Documentary"
"According to Pythagoras, the five points of the pentagram each represent one of the five elements that make up man: fire, water, air, earth, and psyche. (energy, fluid, breath, matter, and ... was embodied by the rose. The small, five petaled roses found in many Gothic cathedral's ornamentation are not-so-secret pentagrams." Source Dictionary @ Google search.
:HARRY’S NECKTIES {Black to RED tie with "crown" Polkadots & Illuminati hand/finger game.}
{MT 198 – Private note to Mr. Bentley’s BLOG:
EXCERPT: The Manichean Leitmotif, p. 119: “In a Pauline sense, then, Lucius pilgrimage involves a “baptism as a mysterion or enlightenment (photismos),” an acceptance of a sacred rite or creed which involves a password as symbolon, and a compact to military oath, the sacramentum.” End excerpt. Note: Harry’s “photo shopped” right hand “mysterion” … and the “compact” Union Jacob Stone Flag, a “cornerstone” over his left shoulder. Go ‘head on, young man. Go East, as Mr. Bentley urged!]
See Southern Renaissance, "Ritual order of the Processional Cycle," note a "self-hoathing and repressed homosexual," St. Paul's "posing" with the "right hand of the mighty Lord," the 118th Psalm, verse 16, ready to do battle for the Lord, much as Confederate General Leonidas Polk set put to do ... "slave, Onesimus, obey thy master!" ]
and see the sketch {above} of “St. Nick” [aka the devil, “Black Harry"] at the door {the "gates of hell"—“descending “Jacob’s Ladder”} … [the five star inverted GOAT HEAD---LUCIFER, the 666 Beast!] & [cf. your SORRY, NO PETROL and the BLUE (“black”) STAR [emblem/logo] on the building in the background … from your “blog”
The first photo below with your “only joy” Valinka (Venus) is next to statue of who? St. “who”? … [I viewed your links and noted ALL COLORS and ALL STRIPES—horizontal and vertical … what does this suggest? ] POINT
Valinka was and is an illuminati ”cold war” instrument OF subliminal propaganda … a Christmas "soul" song—not dance, she poses … much like “who”? … signs/symbols/coded lyrics … Madonna? MJ? Ojay’s girlfriend—BEYONCE!? “The Beatles” “LSD: LUCY IN THE SKY WITH DIAMONS,” drugged … like you were/are ON “POP” … & by way of “subliminal seduction," or, one might say: ”hallucinating wet-dreams”}
NECKTIE! - “red TIE with CROWN polkadot” … shown with an “ad” for “Harry’s Razor” [at the BLOG] … see for yo damn self! And note the “royal colors” of the HOUSE OF WINDSOR attached to the razor blade “product line” … “go ‘head on! Fool!” … Well, looka here!
David Icke: Conspiracy of the Lizard Illuminati (Part 1/2)
@ https://www.youtube.com/watch?v=1w2dMekIJLw Rostchilds Zionism ."chaging humanity into a slave race." Cf. "Crown Tory vs. American PATRIOT = PATRIOT ACT = OSCAR "SWEET POTATO" MARION, in Graham's Jupiter Island Media Piots and the expose of "Falseflag 9/11," by way of typology of II KINGS 13l20-21.
WOLF IN SHEEP'S CLOTHING:
VESTMENTS OF THE ANTICHRIST
Exemplum Historicum — Teachable Moments
"Even the child is dressed in 'horizontal stripes' that recalls Middle Age color-coded concepts that were assigned to 'Jews' and to other undesirable 'criminals.'" [Source: Graham's "Teachable Moments," p. 33. See, in addition, Obama "the child motif" below, this page.]
G.O.A.T. "God of All Things."
Am I not Your mother? Valentines Day Love Symbol is Èzili Dantò's Haiti Vèvè
The Goddess archetype was erased and substituted with the "son" who came through her womb. The son replaced Her as the God of Love. Sometimes represented as a boy with an arrow shooting at a butt or (Serapis as) Jesus. (Photos here -https://plus.google.com/113304004460540659170/posts/ippaNwKg5EN )
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Am I not here? I am your mother.
Èzili Dantò is an archetype of the irreducible essence of the divine Black mother. The irreducible essence or vibration of love, justice and the female principle. Remnants of the worship of the cosmic mother, the warrior mother of creation is everywhere on planet earth either as the Black Madonna and child given a whitening or the heart with a dagger going through used every Feb 14th in the US on Valentines Day but with Greek pederasty’s cupid shooting a butt arrow substituted as the love divinity. ” –Èzili Dantò, Free Haiti Movement ( Photo
{MT 198: Note "names & numbers of de dirty-dance game," along the Southern renaissance, Grand Tour Lie 1711 - 2153, as you revisit Graham's "veil-evil-vail," old/new testimonies, KJV Holy Bible, "typology" in The Mercy Seat, containing, also, THE FINAL CALL: "One-on-One With The Final Call" - "Image Analyst Decodes Media's Hidden Messages." Interviewed by Rosalind Muhammad, West Coast Correspondent, THE FINAL CALL, Volume 13, Number 7, January 19, 1994.}
LAURA: Virgin White BUSH II: II KINGS 13:20-21 "9/11" MICHELLE "DRESSED UP" processions of BLACK WIDOW or "Spider Woman" OBAMA: Joke -Yoke
{Unravel the subliminal significations of this "occult" puzzle: "American Atavism: In Blood and Excrement." ... A Charge to Keep ... Photoshopped "transgender fingers" halos the "candyman" can ... Obama gooses the Death's-Head Set Before Us, like his friend at Harvard Henry Louis Gates, Jr, who "goosed" negro cypher, "Phillis Wheatley." yo mama!}
The Mysterious Bush-Clinton Funeral Envelope and Catch 22 Game Theory
{MT 198 - Southern Renaissance: TETRAKTYS: MATHER BYLES AND THE "HOLY FOUR" p. 4 - grammar & tetragammaton: subliminal PURITAN "secrets" revealed!}
Welcome to Black Studies Legacy Foundation, dedicated to the restoration, reformation, and reclamation of the African American self-determination, right to self-defence against “mentacide” (Dr. Bobby Wright), committed to freedom of creative and intellectual expressions, and aspired to the celebration of collective “works & studies” within the Akan Tradition of Sankofa. Rejoice, as our emblem- logo, “Redactor Ere Ra,” sublimely and aesthetically [Luke 18: 9-4 & "Toll Gate" @ John 21:24] indicates and vibrates the quintessential: Come back, seek and take or recover.
Graham's Tetranalysis™ — Theory & Praxis
See Arthur Graham Introduction: "New Method of Analysis: The Tetranalysis Defined," IMAGE COVERAGE: Academy Awards & Other Movie Reviews (1995). This methodology [The "four" aesthetic elements: FORM, MOTION, SOUND & COLOR] was adapted at and applied to findings of the "Proceedings of the 1996 Multicultural Marketing Conference." MUST READ:
Fix your critical and creative bayonets in these occult and subterranean trenches; in other words, know and engage the “common enemy” in a mighty walk with knowledge and power―Jubilee!
EDMUND BURKE
To rid ourselves of subliminal racism, all should direct our anger to British statesman, Edmund Burke, a Catholic “Father of Conservatism,” who is the author of “Sketch of a Negro Code” (1792) and “A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful” (London, 1757), in which he marked the “negro woman” as the iconic, demonic and forensic emblem of utter “terror.” Burke declared all black slaves, PROPERTY-- and white folks’ “entailed inheritance.”
Hathor in Egyptian mythology, a sky goddess, the patron of love and joy, represented variously as a cow, with a cow's head or ears, or with a solar disc between a cow's horns. Her name means 'House of Horus'. The MOON Disk: The Number 19; Vigesimal System; Sura 19; faces of the moon: http://www.touregypt.net/featurestories/moon.htm
La Belle Hottentot, a 19th century French print of Saartjie Baartman.
Edmund Burke's "Sketch of a Negro Code: Branding Slaves"
Work-study MUST READ: "Edmund Burke: Sublime Terror and Entailed Inheritance," pp. 65 to 68, Southern Renaissance; and decipher the discrete Masonic "sketch of a negro code" BRANDING SLAVE--DRAWING, or, "imp on top of a cow-house," by way of "Hathor the world cow." See, related p. 50 and p. 139, Fig. 45: The Planisphere of Denderah, didicated to Hathor-Nut-Isis. Anyone ever called you an "old cow?" Do dat mean? Why were black female slaves forced to breast-feed white babies? Brace your self! It's reparations judgment day. See "Marching For Afrikan Reparations" 2016 @ https://www.youtube.com/watch?v=nILAtHkRkfQ
What then is the emblem of Hathor the World Cow? [Source: http://www.ancientegypt.co.uk/gods/explore/hathor.html ] In this OSB Sketch of the Negro Code, by "Felch Riches," behold "young" Lucifer: "Holding of the Light." Note, also, between the young man's crutch, inside the barn, below-right, lower-ground level, a "black" figure hanging in the doorway, by the "neck," apparently? And quite "obviously," the "black vile body," far right, "in chains." {MT 198 see "Southern Renaissance," ANDROMEDA: THE CRAFT OF MATHER BYLES, pp. 45-54; and "The Trials of Phillis Wheatley," pp. 55-68. See "Branding Slaves" sketch on p. 68.}
In counterpoint to Burke's philosophy and opinions about the origin and destiny of black people, see Baba Ashra Kwezi on-site lectures: Kemet Nu (Black People's) Prodictions @ http://www.kemetnu.com/view_egypt_videos.htm And take in his informative presentation, "Afrikan Holy Birth on December 25," concernng Hathor, Horus and the true meaning of Yuletide in direct answer to: "Why is the cow in the manger?" @ https://www.youtube.com/watch?v=fZvb2sWPUqs
Baba Kwesi's lecture at the very door of the Temple of Denderah, a conterminous divine address much like the Jewish Wailing Wall, leads to the segment "CONTERMINOUS ADDRESSES: DIVINE & PLACE," p. 108, in "Southern Rennaissance," wherein Graham reveals how "divine place," "No. 42 Brattle Street, Boston," home of "murdered" Sarah Margaret Fuller and her uncle who was anti-Freemasonry, became the mysterious, conterminous "home," also, of "negro cipher" David Walker who never existed but "died in Boston on June 28, 1830, under mysterious circumstances."
The ultimate, most imitative, and influential emblematic icon of extreme terror to depict that which is experienced and conveyed by the subliminal mind is Burke’s “negro woman,” as demonstrated in the “Sublime and Beautiful;” that is, the emblem of a Death’s-Head Set Before Us; and this "putative legacy" is well within the white tradition of Cotton Mather, who owned a slave he named "Onesimus" (Re: St. Paul), and his nephew, Rev. Mather Byles, who invented "negro cipher," Andromeda Phillis Wheatley.
“Among many remarkable particulars that attended his first perception and judgment on visual objects, Cheselden tells, that the first time the [blind] boy saw a black object, it gave him great uneasiness; and that some time after, upon accidentally seeing a negro woman, he was struck with great horror at the sight." [Quoted in The Manichean Leitmotif, p. 30.]
This sequence of events and time-interval encounters of recurrence and contrast--moving from a BLACK COLOR "object" to a NEGRO WOMAN "person"--sets the narrative pattern for designing, conveying, and invoking increaing terror, leading to "Death to the Soul--the King of Terror."
This sublime technique is dicussed in "The Mercy Seat" interview with Arthur Graham [click to YouTube https://www.youtube.com/watch?v=GviiTMUGt8c&feature=em-upload_owner ], explaining the theoritical construct of the "tetranalysis" approach, in terms of the four aesthetic elements, "form, motion, sound, and color"; and applying this "tetranalysis" archetype by "praxis" to the movie, "Schindler's List." Cf. Spielberg's "European Blacken Venus" along with Jazz Singer Billie Holiday's "voice over" singing "God Bless The Child" and serving as a "musical leitmotif—the negro," in the "Mercy Seat" video, to similar "death's-head" images pointed to, below, in the next two sections: [Ref: See, also, Subliminal Racism Essays, p, 22.]
THE "ATAVISTIC" HOTTENTOT VENUS: "SHE CANNOT FORECAST CONSEQUENCES"
Since Burke’s inquiry into the sublime and beautiful, the Hottentot Venus [image above] or, Burke’s “negro woman” has become the quintessential “mark of God” for striking, invoking and conveying, absolute terror and atavistic horror— “A Death’s-Head Set Before Us.”
In the chapter, "Gore's Carbon Swap: A Crying Shame! The Atavistic Female," Discrete Silence Essays, Graham points to a political ad cartoon, "Gore's Carbon Swap," depicting a bed, a naked Gore, and four heaps of "carbon" shaped into the "body-image" of an Hottentot Venus. The second frame shows Gore's wife dumped, head first, [divorced) into a trash can. And a third frame exposes a butt-naked Gore masturbating into a heap of carbon on a kitchen table.
Besides Gore's transmutation into the 1902 "Picasso" painting of himself, climbing into bed with the Hottentot Venus and "other" animals, "Gore's Carbon Swap" is putatively disturbing, to say the least. [See Pablo Picasso, Olympia. Also, @ p. 51, Discrete Silence Essays.]
In The Manichean Leitmotif, p. 43, Graham wrote: It is evident that this human form of comparison ("young negress" and "Hottentot Venus") is similar to Irving's "Empress of Hayti," and to Brackenridge's "negro Eve" and "negro wenches." Here, the black woman is used as an object, a sort of rhetorical catastrophe, of contrasted extremes in what seemingly is a compliment to her "female" countenance. On p. 43, see alsoendnote #10, on the Hottentot Venus being used as an emblem of atavistic "anamnesis," craft wise, as a rhetorical device for invoking and conveying ultimate terror and horrific death.
But what else subliminally happens when European "art and fantasy" becomes racist-sexist, unfeeling reality?
Symbolically, in terms of "spiritual darkness" or "moral sin," the cartoon assigns to Gore the attributes of a "Newfoundland Dog," who has fallen morally to the low-life level of "degenerate whites" who tend to Lie Down In Darkness, like the "most pathetic man of God," Carey, in William Styron's novel with the same theme and name. Carey is juxtaposed to "Milton" Loftis, the fallen from grace WASP who is "onstage" to "repair, repair, repair ..." his Paradise Lost. In "shop talk" one would say: "What apair! ... Of monstrous doubles." Ah so it go mhan—morbid life by atavistic comparison. {Read more @ Styron, below.}
Another disturbing trauma-in-the drama of fantasized, "atavistic horror" is depicted in William Dean Howells' novel, An Imperative Duty (1891), in which so-called "octoroon" Rhoda discovers late in life that she is of "negro" blood heritage, and recoils from the repulsive thought or possibility of "going back" because she was suffering from "something worst than sin." Rhoda's white aunt, Mrs. Mededith, becomes concerned about the turn Rohda's black blood will take: "It might come out in a hundred ways ... I can hear it in her voice at times--it's a black voice! ... She cannot forecast consequences; she is a creature of the present hour; she's like them all! ... It's her race calling her!" Rhoda's white husband to be, Dr. Olney, suggests the use of the word "atavism" instead of "heredity," as he explains to Mrs. Meredith that "Heredity is a good deal like the germ theory."
This fixed-idea, "myth of progress," that all blacks "cannot forecast consequences" is an anachronism of the so-called white man's burden, to forever project and impose a racial "gap"—in all aspects of life, being, and becoming—between black and white, engaged in the "dirty dance" nightmare of "life by comparison." Howells' notion of an imperative duty is analyzed by Graham's tetranalysis approach, in The Manichean Leitmotif, p. 161 to p. 169; and Styron's Darkness, p. 197 to p. 210. Within the Autotelic Structure, crafttradition of writing, race, and difference, it is more like "providence" than mere "co-incidence" that Styron won "the William Dean Howells Medal in 1970."
LAURA BUSH: "AMERICAN ATAVISM - IN BLOOD AND EXCREMENT"
A modern-day political version of "atavistic horror" is enshrined in First Lady Laura Bush's masterpiece in oil, "American Atavisim: In Blood and Excrement," an "art work" of indominable propoganda that quietly came to life during the height of the so-called, 9/11 "attacks on America." She is invited, for example, as a show of sophistication about "terrible war and slaughter," to take a close look at paintings at the National Museum of Women in the Arts: "Women Artists from Renaissance to Baroque."
On June 15, 2008, Laura Bush is given a tour of the paintings and personal artifacts at the Marie Antoinette Exhibit at the Grand Palais, a staged Summer Solstice myth in code that brings both her meditation on "atavism" and the gravitas of her charm to bear historically on French Queen Antoinette who was "executed by guillotine at the height of the French Revolution in 1793 for the crime of treason." (JIMP, pp. 15-16.) Willy-nilly, Laura is, of course, a duty bound, loyal American "painter" of the grostesque and macabre: "American Atavism." How well, indeed, can Laura the painter forecast consequences, by way of her "race" calling her — Goddess Elogia! [RE: p. 71, JIMP ]
This little known oil painting is overloaded with actual skulls and bones, germ-theory images, semiotically sending a dog-whistle, triple-death, "bloodline" war message to "Muslim terrorists." Laura's saga or anamnesis on "American Atavisim" unfolds in Jupiter Island Media Patriots (JIMP), as well as her complicit, mass-media connection and involvement in the preparation and execution of the false-flag, mystery key scenario to 9/11: II KINGS 13:20-21.
ALBERT PIKE
Albert Pike, (left) as you well know, is a Co-founder of the KKK; but most important, he is the Masonic inventor of the infamous fable, “Freedom’sJournal,” and of the allegorical, hyper-myth in code,” “negro cipher” David Walker.
Albert Pike wrote: “Yes, lucifer is god, and unfortunately Adonay is also God, for the eternal law is that there is no light without shade, no beauty without ugliness, no white without black, for the absolute can only exist as two gods, darkness being necessary for light to serve as its foil, as the pedestal is necessary to the statue, and the brake to the locomotive." {This "foil" motif, supposedly appearing at intervals of "recurrence and contrast" both in art and reality, is worked into the myth-structure of the movie,""Rain Man," starring Dustin Hoffman. See my response to Hoffman's recent reference to "subliminal racism" on YouTube video, below at the end of this page.}
Pike confused OSIRIS with HORUS, and apparently, missed out on the Greek ORION (Amos 5:8), as he forged LIGHT into his KABBALAH creation story, into the very being and existence of the WHITE man, by way of "skin color symbolism," the mystery key or "foil" to Luciferian white supremacy. (READ MORE: The Manichean Leitmotif: The Ideology & Psychology of Racism in American Fiction.)
[Excerpts: On the Bible, the Kabbalah, and the "Manichean Dualism" ... "a force, created for good, but which may serve for evil."
".... the literal meaning (of the Bible) is for the vulgar only." [Albert Pike "Digest of Morals and Dogma," p. 166 ]
"What is True to the philosopher, would not be truth, nor have the effect of truth, to the peasant. The religion of many must necessarily be more incorrect than that of the refined and reflected few... The truest religion would in many points, not be comprehended by the ignorant... The doctrines of the Bible are often not clothed in the language of strict truth, but in that which was fittest to convey to a rude and ignorant people... the doctrine." [ Albert Pike "Morals and Dogma," 14th Degree, p. 224 ]
"The true name of Satan, the Kabalists say, is that of Yahweh reversed; for Satan is not a black god... for the initiates this is not a Person, but a force, created for good, but which may serve for evil. It is the instrument of liberty and free will." [ Albert Pike "Morals and Dogma," Master Mason / 3rd Degree p. 102 ] https://www.youtube.com/watch?v=x4ZcMejoQDc
"Masonry is a search for light. That light. That search leads us back, as you see, to the Kabala. In that ancient and little understood (source book) the infinite will find the source of many doctrines; and (he) may in time come to understand the Hermetic philosophers, the Alchemists, all the Anti-papal Thinkers of the Middle Ages, and Emanuel Swedenborg." [ Albert Pike "Morals and Dogma," 28th Degree p. 741 ] {End excerpts --
The Sun and Moon represent the two grand principles of all generations, the active and passive, the male and the female. The Sun represents the actual light. He pours upon the Moon his fecundating rays; both shed their light upon their offspring, the Blazing Star, or HORUS, and the three form the great Equilateral Triangle, in the center of which is the omnific letter of the Kabbalah, by which creation is said to have been effected.
The word Prudentia means, in its original and fullest signification, Foresight; and, accordingly, the Blazing Star has been regarded as an emblem of Omniscience, or the All-seeing Eye, which to the Egyptian Initiates was the emblem of Osiris, the Creator. With the YOD in the center, it has the kabbalistic meaning of the Divine Energy, manifested as Light, creating the Universe. {End excerpt. Source: http://freemasoninformation.com/2012/04/albert-pike-quotes/ ... See also Morals and Dogmas, XXV "Knight of the Blazing Serpent" @ http://www.phoenixmasonry.org/morals_and_dogma/knight_of_the_brazen_serpent.htm ]
In regard to Pike's mythogenesis (i.e., "creation story,"or, one might say, "Scottish Superstition"), what is "good & evil" in terms of Graham's Triadic Color Sucture and "skin-color symbolism"? Investigating the source and symbolic meaning of selections from Pike's Morals and Dogma.. Re: Albert Pike, The Cube, and Kabbalah @ https://www.youtube.com/watch?v=x4ZcMejoQDc Graham's Southern Renaissance offers closure == fork up de $150.00 and KNOW for self! Vist PAY PAL @ menu "Drinking Gourd Store."
“Pope Francis (photo, right ) and the Vatican has introduced the world to their god they been worshiping all along, Lucifer. According to Pope Francis and the Catholic Church, The Morning Star is the creator of the world and the father of Christ. He brought “light” to the human race.” [Excerpt source: http://www.middleeastrising.com/pope-francis-declares-lucifer-as-god/ ]
Steve Sterling: "Antichrist Pope of Bible Prophecy Exposed" {Revelation 13 & 17 Daniel 2 and 7} @ https://www.youtube.com/watch?v=8XGSjl6w4iA The Vatican's Role In The New World Order! Bill Hughes
[See "How the Vatican Created Islam" @ http://www.redicecreations.com/specialreports/2006/04apr/catholicislam.html and "Secret Vatican Briefings on the Creation of Prophet Muhammad" @ http://www.bibliotecapleyades.net/vatican/esp_vatican33.htm — Begin Excerpt: No, Mr. Piper, the Jesuits in control of the Vatican will continue their mass murder of "heretics and liberals" for the next fifty years - ever true to their Satanic Jesuit Oath of the Fourth Vow. And the Order's "Skull and Bones" George W. Bush - who during his initiation "kissed the slippered toe of the Pope" - has started this new century off with a bang. That bang will be the death knell to millions of "infidel" Moslems, "liberal" Roman Catholics, and "heretic" Bible-believers and "perfidious Jews" to the orgasmic delight of the Black Pope and his master. {End Excerpt.]
According to Naiwu Osahon, "Constantine called and chaired the 325 CE, Nicaea Council, which had 219 Bishops in attendance. Many Bishops turned down Constantine's invitation to the conference. All the issues raised at the Nicaea Council were debated and voted for, including the role of Bishops, the administration of sacraments, and the divinity of Jesus. The Bishops had several sittings at the Council to perfect their strategy in the guise of separating truth from heresy. The story of how Bishop Arius was commanded by the Bishop of Alexandria to quit his beliefs or be declared a heretic, and how Arius' writing were ordered destroyed, is eloquent of many things that happened when the Christian religion was being formulated. Bishop Arius was beheaded for saying Christ is not God. Read the lost books of the Bible." [Source: https://www.modernghana.com/news/438014/maat-truth-and-justice-the-spirituality-of-the-african-r.html ]
6. It would seem that Erasmus and his fellow inventors of the King James Bible (RE: Dr. Williams' video, click, above) discretely posit that typologies of the Old & New Testaments are "cunning" Dirty Dances, or subliminal Manichean schemes, dressed in cosmic vestments of the Grand Tour Lie. For example, recall the vestment of the Big Dipper (aka known as the "Death Wagon"), along with Sarah Palin, former "state" flag-waving Governor of Alaska, and her chorus attacks on Obama's "Death Panel," and read segment: "The Hidden Language within the Grand Tour Lie" p. 28 to p. 31, Graham's Teachable Moments.
7. "In 1711 there was a conjunctive alignment of Jupiter, Saturn, Urinus and Neptune, This alignment occurs every 176 years. It is said to be the beginning of a Grand Tour, marking 1801, 1977, and 2153 as the years of occurence for this Jupiter-based or 'outer planets' alignment. ... From 1801 to 1977, the time-space of 176 years marks another appearance of 'Jupiter' [the planet] on his Grand Tour. And so it was for [negro cipher] Jupiter Hammon to be discovered again, with back-dating, 'new' data surfacing from the 'poetry' division of America's Septuagint." [Source: Segment, "GRAND TOUR LIE," in Subliminal Racism, p. 66 and p. 76.] The "Grand Tour" is the cosmic "timeline" of the "New World Order" Illuminati, from its founder, the Jew turned Catholic, Adam Weishaupt (discretely ciphered as Abbé Grègoire, in the fake-hoax Freedom's Journal article, "Original Communications," p. 71 Southern Renaissance), down to George W. Bush: See history @ http://www.bibliotecapleyades.net/sociopolitica/esp_sociopol_illuminati_12.htm
What then, indeed, is a "Death's-Head Set Before Us," at repeated intervals of recurrence and contrast?
8. Assuming a three-way marriage among "Jesuit" Vatican, Islam and King Mason Albert Pike, and within the mind-control, master-slave tradition of typological pairing of personas, consider the minstrel in the Bible and Bilal bin rabbah of the Koran--and ask, quite frankly: Who wants to be called "Bilalians"?
... meaning “minstrels” discretely, in the peculiar “master-slave” traditions of II KINGS 3:15: “But now bring me a minstrel. And it came to pass, when the minstrel played, that the hand of the LORD came upon him” and “The story of Bilal bin Rabah, first man who call to Prayers in Islam (Azan)992”https://www.youtube.com/watch?v=UWK9UI5vNao
[Source: Graham's "The SUBLIM Death's-Head."]
See Sir Charles Sedley: The Wondering Minstrels: "Phillis Is My Only Joy" (Southern Renaissance, pp. 18-25. Seminal "source-name" of Rev. Mather Byles' "negro cipher," Andromeda Phillis Wheatley.)
New Orleans before Civil War was the wealthiest city in America and a hotbed for banker-agents of the House of Rothschild headquartered in Britian...
Before the Civil War, on a per capita basis, New Orleans was the wealthiest city in America. Drawn by the rich cotton and sugar plantations, abundant trade and thriving port, Americans came seeking their fortunes. From the city's earliest days, New Orleans had close ties to the money centers of New York, Boston, Philadelphia, London and Paris. The House of Rothschild's English bankers began living full time in New Orleans in the early 1800’s. In In 1857, Judah Benjamin was an agent of the House of Rothschild living in New Orleans. His job was to fund the Confederacy and help foster a devastating Civil War. Judah Benjamin started in the Confederate government as Attorney General and later became Secretary of State. Judah Benjamin also became head of the Confederate intelligence and was a key player in the assassination of Abraham Lincoln.
The three secret founders of the Mystick Krewe of Comus were Albert Pike , Judah Benjamin (link to judahbenjamin notes) and John Slidell. As already stated, Judah Benjamin was an agent of the House of Rothschild living in New Orleans in 1857. The House of Rothschild was fearful that the new United States Republic would begin printing its own money and have a central bank not tied into the House of Rothschild. This would weaken the House of Rothschild’s control over the monetary currencies of the world. They had already established a secret bloodline elitist society, incorporating thirteen of the world’s most wealthy families, to eventually establish a New World Order with control over the world’s economy.
William Russell founded Skull and Bones-Chapter 322-Brotherhood of Death at Yale University in 1832...
In 1832, William Russell, whose family fortunes were made smuggling opium to China through Turkey, founded a chapter of the House of Rothschild’s Illuminati—Knights of Templar at Yale University and called it Skull and Bones. Code numbers are important as a form of identification and communication to the upper eschelon within this secret elitist society. Three is a key number. The number 33 is a passage into one of the highest stages of membership within this secret elitist group. The number 13 is a form of identification among these elitists. The official inscription of the Order of Skull and Bones within the building at Yale University called The Tomb is 322. Some people interpret this as the year of its founding, 1832, and that Skull and Bones is one of the 3 chapters of this Brotherhood of Death. The first chapter was founded in Germany. The second Chapter is at Yale University. The third chapter was to eventually be founded, when the time was right, at Tulane University School of Medicine located in New Orleans, Louisiana.
William Russell, who founded Skull and Bones at Yale University in 1832, had a key partner by the name of Caleb Cushing, who had acquired passage into the secret code number of 33. In order to acquire passage into the number 33, one had to participate directly in a secret rite called “Killing of the King”. It should be noted that Chapter 322—Skull and Bones—The Brotherhood of Death is nothing more than a political assassination hit team against those United States politicians who do not fall in line with the House of Rothschild’s plans for a blood elitist domination and control over the world's economy. Caleb Cushing was involved in numerous "Killing of the King" rites in the new United States Republic. For example, Caleb Cushing was involved in the arsenic poisoning deaths of United States Presidents William Henry Harrison on April 4, 1841, and Zachary Taylor on July 9, 1850. These two Presidents had opposed admitting Texas and California as slave states. This went against the House of Rothschild’s plans to foster slavery and a civil war in the United States. [End excerpt]
JOHNC. CALHOUN --Former Vice-president, USA.
The leading "die-hard" defender of slavery. Known and respected as "a powerful intellect" and nicknamed "the cast-iron man."
Calhoun is a co-inventor along with Daniel Webster and Henry Clay, of THE CONCURRENT MAJORITY, the precursor of Ronald Reagan’s, and of late, Donald Trump’s “SILENT MAJORITY.” Rev. Samuel Gilman (see segment, below) delivered the eulogy for Calhoun who died March 31, 1850. These two men were at the hub of a closely-nit, "secret society" of well-to-do prominent, aristrocratic families of the Order of Southern Brotherhood, as it took formative shape prior to, during, and after the Civil War. Together they formulated and dissimulated the subliminal "sounding dog whistle" of "white supremacy—yesterday, today, and forever!" For other key "names and numbers" to this Southern aristrocratic, ruling-class "family" of the race in power, and for a survey of their influential, intellectual and legal productions, see COTTON AND SLAVE KINGDOM OF GOD FAMILIES, p. 179 to p.227, Southern Renaissance.
Excerpt: Yet Calhoun was known as the "cast-iron man" for his ideological rigidity.[2][3] His concept of republicanism emphasized approval of slavery and minority rights, as particularly embodied by the Southern states—he owned "dozens of slaves in Fort Hill, South Carolina".[4] To protect minority rights against majority rule, he called for a concurrent majority whereby the minority could sometimes block proposals that it felt infringed on their liberties. To this end, Calhoun supported states' rights and nullification, through which states could declare null and void federal laws that they viewed as unconstitutional. Calhoun was one of the "Great Triumvirate" or the "Immortal Trio" of Congressional leaders, along with his Congressional colleagues Daniel Webster and Henry Clay. In 1957, a Senate Committee selected Calhoun as one of the five greatest U.S. Senators of all time.[ [Sources: Wikipedia and Southern Renaissance, p. 158.]
JOHN SLIDELL
Slidell was a warmongering and land-grabbing instigator of the U.S.--MEXICO “BORDER” WAR of 1845-1846.
From expanding borders to the Rio Grande, to “Trump ‘EM!” Franklin Pierce’s “New China” WALL, see Pierce to Trump “political typologies” destine for the outbreak of CIVIL WAR II, on pp. 154 to 158, Southern Renaissance.
Remnant Tories and the Confederacy
[Begin excerpt} “This roundup of the leading intelligentsia of the OSB began with its spiritual father Mather Byles whose notions of Christianizing Africans within the Grand Tour Mission of implementing Puritan Moral Philosophy―(Magnalia Christi Americana, by Byles' uncle, Cotton Mather)―in America was taken up by aesthetic theoretician, Rev. Samuel Gilman; politicized chiefly by John Calhoun, the leading defender of slavery; financed primarily by Judah Benjamin, head of the Confederacy Secret Service; and collaborated, to wit, by Governor John Floyd of Virginia, brigadier general of the militia, by John Haywood of North Carolina (UNC), and by war-mongering John Slidell of Charleston, South Carolina.” {Source: p. 176, Southern Renaissance.) Graham connects the historical "Remnant Tories" from Mather Byles to the "Tea Party" Koch Brothers, exposed in this video @ https://www.youtube.com/watch?v=2N8y2SVerW8
CHARLESTON, S. C., SEAT OF THE CONFEDERACY, TRUMP vs. CLINTON: THE CONTINUITY OF THE SOUTHERN RENAISSANCE
1. A "Third Eye Revelation" of the murder-mystery at the so-called Denmark Vesey Negro Church at Charleston, S.C., where supposedly 3 men plus 6 women equals 9 were murdered, invoking the Nikola Tesla Code 369. [ See https://www.youtube.com/watch?v=inWnhZp_A-M ]
2. Subliminally, this "code" is being dicretely manipulated to "divine" the would be murderer as an "angel of death," and to "divine place" [de nigger "choach"] of occcurence--which plays into the Civil War history of Charleson and today's "Trump 'EM!" Civil War II Rally, while on a "visit" February 20th to the seat of the Confederacy on his pesidential campaign [ see http://www.c-span.org/video/?404947-1/donald-trump-campaign-rally-charleston-south-carolina ]. Granting the "369" design discrete "preparation and execution," the media literacy challenge is to unravel the significations with regard to subliminal racism designed to induce false-flag, utter terror in the mass media, by way of omni ciphers agents of death--especially a "black boy" who is rather "too quick" to "forgive" white folks with his fixed-idea Phillis Wheatley inspired Christian tradition--"Yo Mama!"
"CHRIS HEDGES DELIVERS THE ULTIMATE TRUMP TAKEDOWN" @ https://www.youtube.com/watch?v=xLaoJrg80JQ Cf. references in video to "regeneration through violence" and perpectual "conflict" to this excerpt:
As a critic in search of a usable past, Richard Slotkin exhibited this “Manichean tendency of his Puritan forebears” when he used the term “Manichean opposites” to describe “pagan Indians and the papist Catholics” who faced the Puritans on the frontier in “a series of three dramatic raids during 1690.”
[Sources: Graham’s The Manichean Leitmotif, p. 2 and Richard Slotkin’s Regeneration Through Violence (Middleton: Wesleyan Univ. Press, 1973), p. 116.)
ENDNOTE: 1 Nov 1831 The First Phase in Removing the Choctaws. "Trail of tears and death" Judah Benjamin - Samuel Gilman: Charleston Hebrew Aid Society. READ MORE on "TORY ORGANIZATION" @ p. 153, Graham's Southern Renaissance.
Cf. Graham's "mystery key to 9/11: II KINGS 13:20-21" to Deuteronomy 2:9 [KJV]
And the LORD said unto me, Distress not the Moabites, neither contend with them in battle: for I will not give thee of their land for a possession; because I have given Ar unto the children of Lot for a possession.
Brian Rightsell @ Daniel Halley ... There are no verses in the Bible directly relating to 9/11. However, if you know what the Bible code (also known as the Torah code) is, there are supposedly some names like Osama, Bush, Twin Towers, etc. that are hidden in plain sight....
Most people don't realize that important days like 9/11 are marked by positions of the Sun and the Planets. 9/11 had multiple planetary alignments or very close alignments. Some other events where the dates were selected for alignments were the London bombing, November 11 1963, the day the US declared war on Japan and 20th of January 2017. We might get large earthquakes around this date. http://www.solarsystemscope.com/old/
Good job! Are you ready for the "GRAND TOUR LIE 1711-2153"? ... The mystery key to 9/11 is II KINGS 13:20-21. Go here and see MEDIA WATCH DAILY https://blackstudieslegacyfoundation.org/ "Jupiter Island Media Patriots" (2008) by Arthur J. Graham is the "Mercy Seat" that is the "capstone" to ALL investigations into FALSE FLAG 9/11 because it exposes the religious "typology" that is behind Bush II hidden, occult, NWO Skull & Bones Zionist "white" supremacy AGENDA relating to "unfolding" events during the preparation and execution of the so-called "attacks on America."
THE KABBALAH (spirituality ... religion ... 6 hours ... got a minute? Carl Jung's "quaternity" and Sigmund Freud's "id, ego & super ego" are at the "root" of this "chosen people" creation story.) @ https://www.youtube.com/watch?v=N4ANFgqYfBg
YAHUAH YAHUSA - "Upon the upright children of Abraham hath arisen light in darkness ..." "Do dat mean?" "What famous Puritan called the holly commonwealth "New Israel"? ... Find the answers in Arthur J. Graham's, "The Manichean Leitmotif: The Ideology & Psychology of Racism in American Fiction" (UCSD 1980; Image Analysts 2000). Test your mastery of certain biblical typologies in preparation and execution during the NWO - GRAND TOUR LIE 1711-2153--in particular, SKULL & BONES "mass media" application of the mystery key to "9/11"; II KINGS 13:20-21; beginning at "our" website "MEDIA WATCH DAILY" ... and read more on my books "Subliminal Racism" and "Southern Renaissance: Subliminal Omni Cipher & the Autotelic Structure of the Land and Slave Kingdom of God" (2012; 328 pgs.) @ https://blackstudieslegacyfoundation.org/ Yu all join in--catch de fever: Trump'em!
Alex Jones is a race-card pimp, a dumb-down dunce, a fake "Shays' Rebellion" 2nd Amendment advocate, and a "friend of mine," who does the "dirty dance" with the likes of Farrakhan and other birds of a feather. He blows hot airs every time for a nickel or a dime. Brother Duke, "read" about the spiritual father-founder of today's TEA PARTY, the famous TORY LOYALIST, Rev Mather Byles, and how he invented "cipher" Andromeda "Phillis Wheatley," in Arthur J. Graham, "Southern Renaissance: Subliminal Omni Ciphers & the Autotelic Structure of the Land and Slave Kingdom of God" (2012; 328 pgs). ... Is the "Zionist" a would-be "white Hebrew"? ... Who wrote: "Upon the upright children of Abraham hath arisen light in darkness ..." "Do dat mean?" ..."What famous Puritan called the holly commonwealth "New Israel"? ... Find the answers in Arthur J. Graham's, "The Manichean Leitmotif: The Ideology & Psychology of Racism in American Fiction" (UCSD 1980; Image Analysts 2000). We urge you all to explore and test your mastery of certain biblical typologies in preparation and execution during the NWO - GRAND TOUR LIE 1711-2153--in particular, SKULL & BONES "mass media" application of the mystery key to "9/11"; II KINGS 13:20-21, in Graham's "Jupiter Island Media Patriots" (2008); begin READ MORE at "our" website "MEDIA WATCH DAILY" @ https://blackstudieslegacyfoundation.org/ [See related article, next: "The Great Awakening"} @ http://greatawakeningdocumentary.com/items/show/9 ]
Whether we have not in a great measure forgotten our Errand into the Wilderness. You have solemnly professed before God, Angels and Men, that the Cause of your leaving your Country, Kindred and Fathers houses and transporting your selves with your Wives, Little Ones and Substance over the vast Ocean into this waste and howling Wilderness, was your Liberty to walk in the Faith of the Gospel with all good Conscience according to the order of the Gospel, and your enjoyment of the pure Worship of God according to his Institution, without humane Mixtures and Impositions. Now let us sadly consider whether our ancient and primitive affections to the Lord Jesus, his glorious Gospel, his pure and Spiritual Worship and the Order of his House, remain, abide and continue firm, constant, entire and inviolate. Our Saviour’s reiteration of this Question, What went ye out into the Wilderness to see? is no idle repetition, but a sad conviction of our dullness and backwardness to this great duty, and a clear demonstration of the weight and necessity thereof. It may be a grief to us to be put upon such an Inquisition; as it is said of Peter, Job.21.17. Peter was grieved, because he said unto him the third time, Lovest thou me? but the Lord knoweth that a strict and rigid examination of our hearts in this point, is no more then necessary. Wherefore let us call to remembrance the former dayes, and consider whether it was not then better with us, than it is now. [End excerpt.]
Here is THE choice, the NEW paradigm shift, the wake-up "studied opinion" kick in yu'all dumb-down azz --- Arthur J. Graham, "Southern Renaissance: Subliminal Omni Ciphers & the Autotelic Structure in the Land and Slave Kingdom of God" (2012; 328 pgs). This "Zionist Shill" video is fear-mongering BS! Re: "You're never gonna get out of this mess. ... Unless WHAT???" ... Unless you consult Graham's "Jupiter Island Media Patriots" (2008) and get the mystery key t o 9/11, II KINGS 23:20-21, and , furthermore, receive "re-education" on the "left-right paradigm" on the real issues, by way of cultural-historic, NAMES & NUMBERS--NOT "THEY"-- of the hidden, occult players in the game: THE GRAND TOUR LIE 1711-2153. ... To meet this "solution" challenge, please go to MEDIA WATCH DAILY and READ MORE @ https://blackstudieslegacyfoundation.org/
5. "TRUMP'EM!" update 12/24/2017: Trump Order Blocks Major Human Rights Abusers Tied to Clinton
UNDERSTANDING "JIMP" and the mystery key to "9/11" II KINGS 13:20-21 ... MUST VIEW video: "The Hidden History of the Khazarian Empire" @ https://www.youtube.com/watch?v=1JmFTGEN3mk
Capstone this “Khazar” awareness by way of a close reading of "JIMP” and the ultimate insight into the NEW WORLD ORDER “mystery key” to 9/11: II KINGS 13: 20-21.
The New World Order strikes back! "GLOVES ARE OFF - George W. Bush breaks his silence on Obama" @ https://www.youtube.com/watch?v=_MH7Xb7xIIQ See "JIMP" Silence of the Lamb photo-shopped, above; according to Arthur Graham: “Mystery Man” at the 2012 RNC, 82-year old Clint Eastwood, made our day by way of pulling the “hanging chair” from under invisible man’s feet, a etch-a-sketch, dart of death, “dog whistle sounding” to Obama’s foes and friends alike, triggering a subliminal recall of “black actor” Morgan Freeman’s corpse in a pine box in the movie, “Unforgiving.” Recall also, the ritual source of this RNC hyper-myth-in-code, “death for the figurehead” act, to be the “hanging” at the White House of Bush II portrait—all in the presence of a dumbfounded, unaware and unassuming Obama—being the emblemic hallmark of George W. Bush’s tenure, a tenue or "watch" that was inspired and excited by his book A Charge to Keep (1999), and inflamed by W. H. D. Koemer's thematic painting “A Charge to Keep." The portrait depicts a “hanging” of "a painting within a painting," on the wall behind Bush II, as he stood resolutely with the right hand on the back of the empty chair that seats a Skull & Bones Masonic Apron.
UPDATES :
#1. George W. Bush’s Great-Great-Great-Great-Grandfather Was a Slave Trader
of D.D.’s sons was George Herbert Walker, known as Bert. A New York Times reporter described him as a “buccaneer and raucous playboy” who “was raised like a Midwestern prince,” taking his valet with him when he went off to Stonyhurst, a Jesuit boarding school in England, to escape the influence of “ill-bred German immigrants.” [End excerpt]
TORY LOYALST Rev. Samuel Gilman labled these "ill-bred German immigrants" to be "UNTURTORED SONS OF SORROW." Within this page, Arthur Graham referred to Donald Tump as an "unturtored son of sorrow." SHOES FIT--WEAR IT!
Endnote: 1832 – William Russell – Skull & Bones at Yale: Brotherhood of Death. Founded to raise men in service of “god and country” … i.e., “active powers” from Daring Dwright down to Bush I and Bush II. Read More on p. 153, Southern Renaissance.
"New World Order" President Obama bids farewell at Chicago —"Sweet Home"—at the end of a moribund "round trip," along which he saluted with a bow, "Holy Father" Pope Francis, deserted his "niggerati" best friend, Henry Louis Gates Jr., denounced his "pastor" Rev. Jeremiah Wright, and "bullshit" Obama Care.
CHURCHILL & KING: End Game on "busts" in Trump's Oval Office - "King stood for something ..." "Churchill stood for the White Paper 1921." Do dat mean? @ http://www.eretzyisroel.org/~jkatz/return.html
Points: 1) "separate education function" ..."truth about 9/11" ... RECOMMEND Arthur J. Graham "Jupiter Island Media Patriots" (2008), and discovery the mystery key to "9/11," II KINGS 13:20-21. 2) "pipe line" ..."waterboarding" ... "fracking" ... RECOMMEND -- "Tory Organizations" in Graham's "Southern Renaissance: Subliminal Omni Ciphers & the Autotelic Structure of the Land and Slave Kingdom of God" (2012), to KNOW by NAMES & numbers -- the cultural-historic "mindset" of the Zionist Skull & Bones, NWO ... period! ... READ MORE @ https://blackstudieslegacyfoundation.org/ ... 3) Who is Trump? Andrew Jackson, Abe Lincoln or Franklin Pierce? Is he the END TIME, "wildcard" untutored son of sorrow? Or, is he sucked into the TORY TEA PARTY, "concurrent majority/silent majority," "make America great again," dumb-down crab barrel? Doing the "$20 billion" Rothschild dirty dance? ... 4) Shit! Dat there false flag, NWO "terror attack" in Canada, recently, fooled yu'all, eh? ... Do dat mean? ... "Trump'em!" @ "Remnant Tories & the Order of Southern Brotherhood," pp. 153 to 178, Graham's "Southern Renaissance."
Thirty-one distinguished Republicans had signed a manifesto assuring voters that a vote for Harding was a vote for the League. But Harding interpreted his election as a mandate to stay out of the League of Nations.
Harding, born near Marion, Ohio, in 1865, became the publisher of a newspaper. He married a divorcee, Mrs. Florence Kling De Wolfe. He was a trustee of the Trinity Baptist Church, a director of almost every important business, and a leader in fraternal organizations and charitable enterprises.
He organized the Citizen's Cornet Band, available for both Republican and Democratic rallies; "I played every instrument but the slide trombone and the E-flat cornet," he once remarked.
Harding's undeviating Republicanism and vibrant speaking voice, plus his willingness to let the machine bosses set policies, led him far in Ohio politics. He served in the state Senate and as Lieutenant Governor, and unsuccessfully ran for Governor. He delivered the nominating address for President Taft at the 1912 Republican Convention. In 1914 he was elected to the Senate, which he found "a very pleasant place."{End excerpt.]
HARDING and the NAACP - "NEED TO KNOW LINKS" 1) "THE NEW NEGRO MOVEMENT" [BEGIN EXCERPT} ... Evoking the “New Negro,” the NAACP lobbied aggressively for the passage of a federal law that would prohibit lynching. The NAACP played a crucial role in the flowering of the Negro Renaissance centered in New York’s Harlem, the cultural component of the New Negro Movement. NAACP officials W.E.B. Du Bois, James Weldon Johnson, Walter White, and Jessie Fauset provided aesthetic guidance, financial support, and literature to this cultural awakening. The NAACP’s efforts on the international front included sending James Weldon Johnson to Haiti to investigate the occupation of U.S. Armed Forces there. In the courts the NAACP prosecuted cases involving disenfranchisement, segregation ordinances, restrictive covenants, and lack of due process and equal protection in criminal cases. {End excerpt. Source https://www.loc.gov/exhibits/naacp/the-new-negro-movement.html 2) 1920September 13
NAACP Leaders Have “Cordial” Meeting the GOP Presidential Candidate Harding
Leaders of the NAACP had a “cordial” meeting the GOP presidential candidate Warren G. Harding, it was reported in the Minutes of the NAACP Board of Directors on this day. The meeting marked a political coming of age for the young NAACP, which was only 11 years old but had quickly established itself as the nation’s leading civil rights organization.
Earlier in the year, the great African-American scholar and activist W. E. B. DuBois had drafted a seven-point platform of civil rights demands for the NAACP, which it planned to present to both Republican and Democratic party presidential candidates. A federal anti-lynching law was the group’s most important issue. (See the first national anti-lynching conference on May 5, 1919.) The NAACP, however, was never able to secure a meeting with Democratic Party candidate James M. Cox.
Harding, although famous in history as an undistinguished president, saw the Republican Party as the party of Abraham Lincoln and was committed to civil rights (at least for a brief period of time). On October 26, 1921, as president, he gave a forceful speech on civil rights in Birmingham, Alabama, on the occasion of the city’s 50th anniversary. The speech shocked most whites in the audience.
He won in a landslide over Democrat James M. Cox and Socialist Party candidate Eugene Debs, running on a theme of return to normalcy and becoming the first sitting senator to be elected president.
Harding appointed a number of well-regarded figures, including Andrew Mellon at the Treasury, Herbert Hoover at Commerce, and Charles Evans Hughes at the State Department. A major foreign policy achievement came with the Washington Naval Conference of 1921–1922, in which the world's major naval powers agreed on a naval limitations program that lasted a decade. Two members of his cabinet were implicated in corruption: Interior SecretaryAlbert Fall and Attorney GeneralHarry Daugherty. The resulting scandals did not fully emerge until after Harding's death, nor did word of his extramarital affairs, but both greatly damaged his reputation. Harding died of a cerebral hemorrhage caused by heart disease in San Francisco while on a western speaking tour; he was succeeded by his vice president, Calvin Coolidge. ...
Return to normalcy, a return to the way of life before World War I, was United Statespresidential candidate Warren G. Harding's campaign promise in the election of 1920. Although detractors believed that the word was a neologism as well as a malapropism, coined by Harding (as opposed to the more accepted term normality), there was contemporaneous discussion and evidence found that normalcy had been listed in dictionaries as far back as 1857.[1][2] Harding's promise was to return the United States prewar mentality, without the thought of war tainting the minds of the American people. To sum up his points, he stated:
"America's present need is not heroics, but healing; not nostrums, but normalcy; not revolution, but restoration; not agitation, but adjustment; not surgery, but serenity; not the dramatic, but the dispassionate; not experiment, but equipoise; not submergence in internationality, but sustainment in triumphant nationality."[3]
{End excerpt.]
WOODROW WILSON -SEGREGATION "NORMALCY" : [Begin excerpt}
The Black Justice League, in protests Princeton University’s campus, has drawn wider attention to an inconvenient truth about the university’s ultimate star: Woodrow Wilson. The Virginia native was racist, a trait largely overshadowed by his works as Princeton’s president, as New Jersey’s governor, and, most notably, as the 28th president of the United States.
As president, Wilson oversaw unprecedented segregation in federal offices. It’s a shameful side to his legacy that came to a head one fall afternoon in 1914 when he threw the civil-rights leader William Monroe Trotter out of the Oval Office.
Power, identity, and speech in the new American universityRead more
Trotter led a delegation of blacks to meet with the president on November 12, 1914 to discuss the surge of segregation in the country. Trotter, today largely forgotten, was a nationally prominent civil-rights leader and newspaper editor. In the early 1900s, he was often mentioned in the same breath as W.E.B. Du Bois and Booker T. Washington. But unlike Washington, Trotter, an 1895 graduate of Harvard, believed in direct protest actions. In fact, Trotter founded his Boston newspaper, The Guardian, as a vehicle to challenge Washington’s more conciliatory approach to civil rights. {End Excerpt. Souce: https://www.theatlantic.com/politics/archive/2015/11/wilson-legacy-racism/417549/
The Last Time the U.S. Invaded Mexico In the early 1900s, Woodrow Wilson was plagued by our Southern neighbor’s “bad hombres.” Trying to interfere got him nowhere.
NORMALCY ON THE "DARK SIDE" -- THE "NEGRO PROBLEM" THEN TO NOW
INVISIBLE MAN from Frederick Douglass to TRUMP 'EM! "no birth certificate" Barack Obama, and to BILL CLINTON "mulatto" Danney Williams: Making "2017" Claims to a reminder of "Trum'em Normalcy." ...
CNN PANEL of four blacks sound off on Trump's celebrating "Frederick Douglass" during Black History Month. Watch this video @ https://www.youtube.com/watch?v=9idRydEubAQ and relate my posted comment, shown here}
These "fearsome foursome" are dumb-down dunces who will tell you "Phillis Wheatley" is "Yo Mama!" like Henry Louis Gates Jr of Harvard; and that "Nat Turner" is going to kick Trump's "white" azz! Furthermore, they will vouch that Bush II Patriot Act honored PATRIOT SLAVE "Oscar SWEET POTATO Marion" who, actually, never existed. The Trump team has visited MEDIA WATCH DAILY and so should you all @ http://www.blackstudieslegacyfoundaton.org/ Then at the next press conference, ask the secretary "if" he read or "is reading," Arthur J. Graham's "Southern Renaissance: Subliminal Omni Ciphers & the Autotelic Structure of the Land and Slave Kingdom of God" (2012; 328 pgs), this well-researched & documented, book of knowledge and wisdom that WILL help us all "Make America Great Again." Trump 'Em!
Obama's presidential limo is named "The Beast" and Israel barred it from the country. Why? Does Pope Francis embrace "Revelation" or "Lucifer: the light bearer"? Are Zionists behind its so-called "prophecy" to "end time"? 1) Create the "prophecy" problem; 2) control the opposition; and 3) dictate the solution. Finally, is Trump another Warren Harding? As we ponder these teasing questions, we need to be aware of "prophecy" along the timeframe of the GRAND TOUR LIE 1711-2153, as being THE CLOCK in control---the Grandfather Clock, of Bonesman President Taft, that is in the Oval Office. By this "clock," the mystery key to 9/11, II KINGS 13:20-211, is revealed by Arthur Graham in his books "Subliminal Racism" (2005), "Jupiter Island Media Patriots" (2008), and "Southern Renaissance: Subliminal Omni Ciphers & the Autotelic Structure of the Land and Slave Kingdom of God" (2012). ... "Dis n-word's crazy!" Sure 'nough, Mr. Pryor. But you all PIMP MY RIDE at MEDIA WATCH DAILY https://blackstudieslegacyfoundation.org/ because "I come quickly" to kick all you all dumb-down azzes!
The Role of the Bastard (Mulatto) as a Factor in World History - Dr John Henrik Clarke @
{MT 198: Coming soon, an elaborate "discussion of the race problem," excerpt from The Manichean Leitmotif, pp. 161-169. DOWNLOAD $1.99.}
TRUMP'S "OVAL OFFICE" -- WITHOUT THE NEW WORLD ORDER "TAFT GRANDFATHER CLOCK" == Shit! Excuse me! You all see the pillars of "founding fathers," Washington, Jefferson, Hamilton? And the "two busts" of Churchill and King? What a "line up." What a pair!
MUST WATCH!!! - WHO IS THE ZIONIST "MESSIAH" ? [at 11:38 into video} "2007 Prophecy on Donald Trump" [Zionist's "messenger" John the Baptist / King David Bloodline / Rebuilding the Temple] @ https://www.youtube.com/watch?v=qz29MRCSfUE [Graham's response}
George H.W.Bush declares, as a CIA mind-control master, that "You are what you read." He reads your bible, too. Take heed @ https://blackstudieslegacyfoundation.org/
UPDATE: 11:38 min into video: ZOHAR typology of King David.
In SubliminalRacism (p. 108- p. 116), Graham points to “Eli” the [SO-CALLED] judge in I Samuel who disobeyed the Lord and met death (I SAM 4:11, 21-22) along with his two “vile” sons [NWO Bush I & Bush II] (I SAM 3:13-15) who “took bribes” (I SAM 8:3), and [the Clintons] who “lay with the women that assembled at the door of the tabernacle of the congregation” (I SAM 2:22). Recall that Saul [OBAMA] was chosen to be king by “appearance” during a time of war (I SAM 9:2; 10-13). Then came the crowning of a “king who walketh before you,” David (I SAM 12:2)—“Trump ‘Em!”
UPDATE: Haitians need to know, the "foil" Samuel Eli Cornish is a cipher that never existed. RE:
The Haiti holocaust continues: Trump Delegation to Attend Haiti Presidential Inauguration
Èzili Dantò's Note: The Trump delegation, according to Voice of America, includes Thomas Shannon who has been part of the Bush family's corruption in Haiti going way back to the 1991 Bush Sr coup d'etat destruction of Haiti popular democracy. We fought hard folks. But Trump did exactly as Obama in Haiti. He gave it to the Clinton and Bush mafia. Those reported by VOA, from the Trump Administration, who will dance on our graves tomorrow at the inauguration of their newest ghoul, include two Clinton-Obama former US ambassadors to Haiti - Peter Mulrean and Kenneth Merten.
Omarosa Manigault, a former celebrity goodwill ambassador for Ron Daniel's Haitian Support Program will cheer at the holocaust. Courage, folks courage. Nou Pap Bay Legen. We're still here - Nou La.
We will take down the criminals ourselves or die trying as our Ancestors have for over 213 years. Goodness will win, but maybe not in our lifetime. Love, courage, strength. Hold on Ayisyen, hold on- Kenbe la, pa lage--- Èzili Dantò of HLLN, li lèd li la, February 6, 2017
Haiti Riches: Camp Coq Ancient Carvings, Beloc, Wonderous Haiti caves, Haiti Pine Forest and Wondrous Ecosystems - What's in Haiti changes the white man's world history & understanding! Èzili Dantò Note: It's been a while since I've talked about my most favorite Haiti topic: Haiti hidden riches and the Haiti worlds (portals) inside the hollow of the Haiti earth, waterways and mountains.
With regard to "religion in politics," in Jupiter Island Media Patriots (2008), I pointed to First Lady Laura Bush's "breastplate" diplomacy ... "JUNE 14, 2006: Eight Breast Buttons on Virgin White Jacket "The Grand Fixed Cross," p. 12, as it relates to Skull & Bones Masonic, subliminal messages, directed at the occult illuminati "tribe." This "breastplate" shadow game is a part of the "mystery key" behind FALSE FLAG "9/11," II KINGS 13:20-21.
Laura's #8 breastplate (the KNIGHT TEMPLAR Maltese Cross) represents the "end-of-the-day," "prayer warrior" whose god is Lucifer, while Conway's #10 breastplate represents the "anti-christ-beast-slaying," "Christian soldier," with the Crucifix Cross of Jesus--"going on before," to the final Revelation-Perfection-Judgment. Or, so it would seem. ... Trump vs. Pope Francis: Steve Sterling: "Antichrist Pope of Bible Prophecy Exposed" {Revelation 13 & 17 Daniel 2 and 7} @ https://www.youtube.com/watch?v=8XGSjl6w4iA
Ten Centuries Later, a Pope and Knights Do Battle [Ed. Note "eight" buttons & the Malta Cross on "breastplate."]
ROME — It began as a fight over staffing. Then came a dispute about condoms, followed by papal concerns about Freemasons. Now it has become a full-scale proxy war between Pope Francis and the Vatican traditionalists who oppose him, with the battleground being a Renaissance palace flanked by Jimmy Choo and Hermès storefronts on Via dei Condotti, Rome’s most exclusive street.
The palace is the headquarters of the Knights of Malta, the medieval Roman Catholic order. For months, an ugly, if quiet, spat over staffing simmered behind the order’s walls before spilling across the Tiber River to the Vatican, setting off a back-and-forth between the two camps. Francis and his lieutenants sent angry letters. The Knights ignored them, claiming sovereignty.
For insights into these “point guard,” “breastplate” analogies and typologies, read more on biblical allegories: Ex. 28:30 we put “in the breastplate of judgment the U'-rim and the Thum’-min”; we encounter the “judgment of U’im before the lord” at Num 27:21, in Teachable Moments, p. 38.
8. "AMERICA UNDER SIEGE: CIVIL WAR 2017" ... #1 - this video is a product and mark of the BEAST ZIONIST SHADOW US GOVERNMENT: "... #2 - create the opposition ... #3 - dictate the solution ..." invented by CAPITAL RESEARCH CENTER @ https://www.youtube.com/channel/UCp7NBbx93BDRMe2jM2h-Wpw
A Confederate diplomat-thief who fled the country and never returned, however, he became Rothschild Financial Adviser to Queen Victoria of England. See him on a cover of "Confederate Journal" on p. 168, Southern Renaissance, and read about his close ties to the race in power at Charleston, SC.
AFRICAN REPARATIONS—WORLDWIDE!BRACE YOURSELF
START HERE & FOLLOW "DE MONEY" FOR "DE BIG PAYBACK"
Benjamin was the first Jew to be elected to the United States Senate who had not renounced Sandford, had stated Congress could not restrict slavery in the territories, the people of each territory could pass legislation to bar it. [Source: Wikipedia bio.]
Chief “Spy” who "began active powers” then fled to England: [Begin excerpt} “This first practicing Jew elected to Congress, eventually ran the Confederate secret service as their first Attorney General. This character who escaped to England after the Civil War who was implicated in the assassination of Lincoln. He was friend with Jacob Thompson a Confederate agent operating in New York, as well as John Surrat another spy who in 1870 admitted his involvement in the Booth affair. Judah's best friend was Gusatavus A. Myers, whose mother's grandfather was Moses Michael Hays --the key one who brought the Scottish rite to the colonies." http://everything2.com/title/Albert+Pike [Source: Southern Renaissance, pp. 141-142.]
Judah P. Benjamin involved with the Charleston Hebrew Aid Society and in the 1850's did whitewash work for Slidell and his Knights of the Golden Circle (Kyklos or Kluklos) {sound like Ku Klux Klan?} later in New Orleans after trouble back in South Carolina. [Source: Quoted in Southern Renaissance, p. 152.]
It is well-known that AlbertPike is “originally connected” with the Scottish Rite of Freemason and with the KKK in the United States. The relocation date, “1831,” is a time-line earmark as to the forth-coming Civil War, planned years ahead in advance to take back America for slavery, and for “some Jews” to have and to own slaves. In the article “Mardi Gras Secrets” we learn that in 1857 the mystic-secret keeper of the upper house, Albert Pike, money-man financier of the Civil War, Judah Benjamin, and the “Rothschild’s” bank liaison, JohnSlidwell, founded the Mystick Krewe of Comus that, after the war, morphed into the KKK . [Source: Southern Renaissance¸ p. 167.]
On the more “clandestine” line, SamuelGilman kept a low-profile but was closely affiliated with the Charleston Hebrew Aid Society and, discretely, with Judah Benjamin. [Source: Southern Renaissance, p. 167.]
As the father of conservatism, Edmund Burke’s writings on slave-trade regulations, his eloquent “sneer of the devil” statesmanship, and his activism on both sides of the Atlantic to defend slavery won the hearts and minds of the majority of whites in both Colonial and Post-Colonial America. By 1829 Burke’s philosophy and opinions became central to thinkers such as Samuel Gilman, Judah Benjamin, Alvan Lampson, Hugh Legaré, John Calhoun, William Gilmore Simms, Leonidas Polk, and Albert Pike. Burke’s conservative views also became the Magna Carta in great centers of learning such as Harvard, Princeton, Yale, Chapel Hill, and other high-culture, city-state vertexes of the Southern Way of Life (meaning segregation yesterday, today, and forever), such as Charleston, SC. http://odur.let.rug.nl/~usa/B/eburke/burke.htm [Source: Southern Renaissance, pp. 299-300.]
Special Queen Victoria “exile note” to “exonerate” Marcus Garvey
Most of my childhood days, from 1939 to 1954, was spent in Kingston, Jamaica, in the vicinity of Queen Victoria Park― where, daily, I had to pass a towering white marble statue of the Crown Queen Victoria, and, on a most memorable of days, within shadows of this statue, I stood behind a rope and caught a glimpse of Her Royal Highness Queen Elizabeth II of England and her Duke, passing in parade, on the “other” side of the rope.
“Shit!” me sey. De obeah jook me! Fe go wey fling stone behind me and neva come back! Me sey de "old cow" obeah dem nuns jook pon me azz at St. Aloysius Boys School on Duke Street, pounding us all into submission to assemble into a large choir singing Her Majesty Coronation Song: “Elizabeth of England So noble kind and true. Your grace and charm become you as a daughter of a King.” Dem me watch de Queen dem, white as snow, and think pon America, to get me rass-clothe out dis ya colonial pussy hole! After 62 years in exile, and an entire by-pass of “independence,” same school today: “aata”
This "Syllabus" presents the "Mather Byles-TORY - TEA PARTY" roadmap "connection" to "audit" the "corruption" on both sides of the coin. "Miss Piggy" calls Trump "racist" and OJ Simpson calls his wife "fat pig." Who's lying? Apply the Gates-Harvard "Implicit Association Test" on both "name-callers." During the 1st Debate, Clinton calls "implicit bias" into play—Do dat mean? See below for extended discussion on plagiarizing and obfuscating Graham's coined term: "subliminal racism."
HORACE GREELEY
In Southern Renaissance, Arthur Graham alleges, for the first time in history, that Greeley and others murdered Sarah Margaret Fuller ― Photo: Right. Credible "conspiacy" motives are revealed.
We solemnly invited several extensive “excerpts” as we seek stores of inventories on the other pivotal, prime-movers and architects of the Order of Southern Brotherhood, including Albert Pike, Mrs. Gilman, Horace Greeley, Mr. and Mrs. Hentz, and Bishop Leonidas Polk, amassing pertinent background information for a discourse of all key contributors who were charged with the enculturation of “moral philosophy” within the peculiar institution, and with the institutionalizing of the Confederacy in American history, as the “cotton and slave kingdom of God.” [Source: Graham, Southern Renaissance, p. 179.]
See the segment "CONTERMINOUS ADDRESSES: DIVINE & PLACE," p. 108, in Southern Renaissance, wherein Graham reveals how "divine place," "No. 42 Brattle Street, Boston," home of "murdered" Sarah Margaret Fuller and her uncle who was anti-Freemasonry, became the mysterious, conterminous "home," also, of "negro cipher" David Walker who never existed but "died in Boston on June 28, 1830, under mysterious circumstances."
February 11, 1988, a group of masonic leaders met with President Ronald Reagan; the Grand Master of DC presented him with a certificate, and the Scottish Rite and Shrine made him an honorary member of those bodies.
On August 14, 1826, WilliamMorgan obtained a copyright for Illustrations of Masonry, By One of the Fraternity Who Has Devoted Thirty Years to the Subject, a book that publicly exposed the secrets of Masonic ritual. Although many similar books had been published before, this caused great excitement, and led to the "Morgan affair" and the Antimasonic Party of the 1820s and 1830s.
On September 12, 1826, William Morgen, who had published an exposé of Masonic secrets, was taken from the jail in Canandaigua, New York, kidnapped, and possibly later murdered. This was the trigger for the Morgan Affair and the Antimasonic movement and Antimasonic Party in the United States from the 1820s through the 1840s.
September 13, 1882, a monument was dedicated in Batavia, New York, to WilliamMorgan, the man whose kidnapping and possible murder by Freemasons started the antimasonic movement in the United States in 1826. The monument says Morgan was a "martyr to the freedom of writing and printing the truth."
"Masonry gives rogues and evil-minded characters an opportunity of visiting upon their devoted victim, all the ills attending combined power, when exerted to accomplish destruction. It works unseen, at all silent hours, and secret times and places; and, like death when summoning his diseases, pounces upon its devoted subject, and lays him prostrate in the dust. Like the great enemy of man, it has shown its cloven foot, and put the public upon its guard against its secret machinations." -CAPT. WM. MORGAN’S ILLUSTRATIONS OF MASONRY, 1827. [Source: http://www.bibliotecapleyades.net/sociopolitica/esp_sociopol_illuminati_12.htm ]
[Several excerpts quoted in Graham’s Ritual Order of the Processional Cycle: Subliminal racism – Trayvon Martin Black Child Sacrifice – Myth & Symbology, pp. 32-33. Source: MasonicDateshttp://bessel.org/datemas.htm ]
On September 11, 1990, exactly 11 years before the 3WTC Towers went down, George Bush Senior publicly announces “A New World Order." [Source: Ritual Order, p. 33.]
CAROLINE HOWARD GILMAN
Mrs. Gilman is the novelist who penned “Religious Privileges of the Negroes in Charleston, S.C.” ---the REAL “Willie Lynch” in a pinch, if such a creature ever existed---not by way of a "letter" but by way of a ubiquitous “NOTE" in the novel, Recollections of a Southern Matron 1829: "NOTE. It seems a favorable opportunity to insert, rather in the form of a note than as connected with the narrative, the following sketch, which describes, among other points connected with negroes in Charleston, their funeral solemnities." With this Death Procession "NOTE," Caroline Howard Gilman drew "a sketch of the negro code," coming out of the belly of Edmund Burke, from the grave of the Famous Rev Mather Byles, and directly within the fixed-idea of Cotton Mather's Rules for the Society of Negroes 1693. The sketch is that of a "class-leader," who is first "soaked in religion," and who, after months, often years, becomes a "seeker" before being elevated to a "leader"—that is, a loyal and obedient "negro preacher" who is ranked highest in "the scale of the brute creation."
What is more, "for in the grave is laid," the Death Procession NOTE telling of "unbroken enthusiasm" of "the negroes" in that "They are very ambitious on the subject of death, influenced, perhaps imperceptibly to themselves, by the thought of the level to which it reduces all. Decent grave-clothes and a private burying-ground are their highest ambition. I once asked a faithful servant who was in perfect health what present I should make her, and she replied, with great solemnity, 'Some cambric to make me a shroud [i.e., burial garment], I thank you.'" At last, in reality as well as in imaginary art, the imagery of "the negro's highest ambition" is reduced to a Death's-Head reminder, as Cotton Mather wrote much earlier, within the white aesthetic and scientific tradition, for Caroline's "autotelic artistic sake," A Death's-Head Set Before Us.
With an aura of "beauty and the beast," Carolne Howard Gilman served as devoted wife of Rev. Samuel Gilman; she was a “model” matron to their household of 11 slaves. After the Civil War, she graciously lamented:
"In 1858 I journeyed with a coffin where was laid my love and earthly hope, and came home.
In 1865 I journeyed with the dead South and came home.”
Within this "peculiar" Southern School Tradition of writing, race, and difference, Caroline's pioneering sketch of a servant girl's "highest ambition" is formulated into the forensic stereotype, "leitmotivs--the negroes" (the brother/sister of death), by way of white "felt relation" and black "life by comparisons." In William Styron's first novel, Lie Down In Darkness (1951), for example, the subliminal Autotelic Structure in continuity depicts servant girl Ella Swan who appears as an "old Negro woman dressed in black silk and white lace collar and cuffs," in a word, this "old cow" appears at intervals of recurrence and contrast, as a living "Death's-head reminder" attending Peyton's funeral. [See segment, William Styron, in The Manichean Leitmotif, p. 202.]
in "The Great Debaters" movie & at the "Million Man March in 1995"
[Begin excerpt} Kwabena Ashanti, who lives in Durham, NC, is the mastermind [author] of the biggest hoax ["Willie Lynch Letter"] since the claim that Microsoft had purchased the Roman Catholic Church.
The Willie Lynch Letter is mentioned in the movie The Great Debaters. The notions of the letter became popular after Nation of Islam leader Louis Farrakhan quoted parts of it during his speech at the Million Man March in 1995. Farrakhan later used the letter to support his claim that slave owners used the letter to control slaves. {End excerpt. Source: http://rev-elution.blogspot.com/2013/03/durham-resident-is-author-of-willie.html ]
REV. SAMUEL GILMAN
Chaplain of the Militia, Charleston, S. C.
Samuel Gilman is the premiere aesthetics and critical theorist of racist “felt relation” or sympathy. He is the seminal father of “The Doctrine of Contrasted Extremes.” Devoted husband of Caroline Howard Gilman. Rival-antagonist of Nathaniel Hawthorne, the novelist. And author of “My Fair Harvard” alma mater song.
In essence, the term “felt relation” means a felt “relation of succession,” or sympathy for self-preservation, and for the continuing traditions of European society. By August 1831, then, in the Southern Review, this notion of “felt relation” was elaborated into a system built around the aesthetic and scientific elements of form, color, sound, and motion, those same elements that identify the rhetorical continuity of contrasted extremes. [Source: Graham, The Manichean Leitmotif, p. 59.]
In The Manichean Leitmotif, p. 69, Graham wrote: What is implied here [by "Chaplain" Gilman] is that slavery can and must exist in America as it existed, for instance, in Athens, a society that was "neither the freest nor the quietest of the Grecian republics." Liberty, which is a certain "freedom founded on law," is the result of "military glory," which, ultimately, is the source of the letters that follow. Historically, in the course of all literature, then, from its "rude beginnings" to its "after advances," nothing was "necessary, as to freedom, except the absence of such utter control, as extinguishes all will or thought, except its own." Those who possess this will are those who are capable of reflective thinking, or, as Gilman might have termed it, those masters who are aided "by the cultivated habit of looking into" themselves. Control of what goes into "letters" comes from control derived from military victory.
See Samuel Gilman’s Harvard University Mathematical theses, “Calculation and Projection of a Solar Eclipse,” September, 1811, discussed in Jupiter Island Media Patriots, p. 42.
UPDATE: January 13, 2017. Original research on the works of Samuel Gilman, from a “hint” by Alvin Lampson, that he knew the young author of The Vestal; or, a Tale of Pompeii (1830), through a long pilgrimage “progression” via “Gray Tradition and the Power of Evil,” pp. 117 -128, The Manichean Leitmotif, to Jubilee “revelation,” Arthur J. Graham, this day, "ascribed" previously unknown authorship of The Vestal to Rev. Samuel Gilman.
Excerpt: Articles on Gilman include Daniel Walker Howe, "A Massachusetts Yankee in Senator Calhoun's Court: Samuel Gilman in South Carolina," New England Quarterly (1971); Daniel Walker Howe, "Samuel Gilman: Unitarian Minister and Public Man," Proceedings of the Unitarian Historical Society (1973-1975); Conrad Wright, "The Theological World of Samuel Gilman," Proceedings of the Unitarian Historical Society (1973-75); James W. Mathews, "A Yankee Southerner: The Aesthetic Flight of Samuel Gilman," No Fairer Land, ed. J. Lasley Dameron and James W. Mathews (1986); and "The Doctrine of Contrasted Extremes," in Arthur J. Graham, The Manichean Leitmotif (2000). [Source: Dictionary of Unitarian & Universalist Biography: http://uudb.org/articles/samuelgilman.html ]
ENOCH LINCOLN, Former Gov. of Maine (1827 - 1829)
Enoch Lincoln (1788 - 1829, photo, left) compared “negro cipher” Phillis Wheatley to “a gregarious animal,” guided by supine imbecility, to “mark those whom God marks.” A pioneering to modern-day “IQ” Rating racist who would no doubt embrace current “DNA” fortune-telling conundrums of “finding yo ancestors.” With regard to race and human intelligence, it is safe to consider Enoch Lincoln as the great grandfather of William Shockley, who "sock it" to African Americans during the 1960--70's, with blatant and overt racism.
London-UK born, (1910-1989), photo right: — "William Shockley became intensely interested in questions of race, human intelligence, and eugenics. He thought this work was important to the genetic future of the human species and came to describe it as the most important work of his career, even though expressing his views damaged his reputation. Shockley argued that a higher rate of reproduction among the less intelligent was having a dysgenic effect, and that a drop in average intelligence would ultimately lead to a decline in civilization. Shockley's published writings and lectures to scientific organizations on this topic were partly based on the writings of psychologistCyril Burt and were funded by the Pioneer Fund. Shockley also proposed that individuals with IQs below 100 be paid to undergo voluntary sterilization." ... "Shockley was the manager of a research group that included John Bardeen and Walter Brattain. The three scientists invented the point-contact transistor in 1947 and were jointly awarded the 1956 Nobel Prize in Physics." [End excerpts. Source: Wikipedia, bio.]
Enoch Lincoln, 1807 graduate of Harvard College, and son of Levi Lincoln, Sr. (Nathaniel Hawthorne was Enoch's biographer): — Expressing doubts about the compositions falsely attributed to "Phillis," Enoch Lincoln wrote:
"With regard to him (the Negro), mediocrity becomes excellence, excellence a prodigy, a Christophe the hero of history, and a Phillis Wheatly the muse of poetry." According to Lincoln. "To 'mark those whom God mark' is classified among the aphorism which sage observation has discovered, and, surely, there is no portion of mankind whose physiognomy he has impressed with more striking indication of mental imbecility than that of those beings." [End excerpt. Source: Quoted in “Southern Renaissance,” page 85.]
SUBLIMINAL PSYSIOGNOMY: EVEN THE RAT WAS WHITE —SCIENTIFIC RACISM
In 1976, Robert V. Guthrie (1930 - 2005) published Even The Rat Was White: A Historical View of Psychology. "This book examines psychological and anthropological research patterns, theories, methodologies, and tests that have engendered and supported racist beliefs and practices." Chapter 2 deals with "Psychology and race," and chapter 6 presents an impressive list of "Early black psychologists." [ Guthrie's bio @ https://en.wikipedia.org/wiki/Robert_V._Guthrie Entire Chapter 2 on pdf @ http://accounts.smccd.edu/jacksont/268aq/268arts_tony/eventherat/eventherat1100.pdf ]
The San Mateo Community College instructor who posted this pdf online quoted Guthrie's remark: "Even the Rat Was White 'stemmed from theologically derived doctrines and divided man- kind into descendants of Shem, Ham, and Japhet.'" According to Guthrie, "Carl von Linnaeus (1738) made racial distinctions based on color of skin, temperament, customs, and habits (Table 5). This scheme, which designated psychological as well as physical characteristics of the different races, assigned the qualities of capriciousness, negligence, and slowness to black people. The biblical explanation for mankind's groupings had presened a major problem of congruence ... savages were not decendants of Adam and therefore were outside the grace of God. Linnaeus' racial distinctions, therefore, proved advantageous for those seeking to justify the inferiority of the colored race." [Source: p. 32, Rat.]
["Biblical Underpinnings for Slavery" @ http://www.badnewsaboutchristianity.com/gaa_slavery.htm : Excerpt: "Cotton Mather, a Puritan clergyman best known for his part in the infamous Salem Witch Trials, plotted the enslavement of William Penn and his fellow Quakers in 168231." ]
Our attention is drawn to a huge "white" rat on the book cover. Although Guthrie did not mention Watson's "white" rat, not "brown" or "black," grafted exclusively for experimentations in behavioral science, as source of the dirty-dance rat race emblem,
the subliminal connection points to revisiting Robert V. Guthrie's work for a more profound and sublime understanding of John B. Watson's "behaviorism," thereby, adding "names and numbers" to those within the "key tradition" or main-current of American thought, perception and activist-racist conceptual patterns of behavior—Cotton Mather, Mather Byles, Edmund Burke, Thomas Browne, Samuel Gilman, John C. Calhoun, Horace Greeley, Caroline Lee Hentz, Leonidas Polk, Albert Pike, John Slidell, Henry Clay, Daniel Webster, John Seele Haywood, Abraham Rencher, Judah Benjamin, John Henry Hopkins (who publicly defended slavery "as having biblical justification"), William Dudley Gale, Caleb Cushing, Caroline Howard Gilman, Enoch Lincoln, Wilhelm Wundt, Prescott Bush, William Russell and the entire Order of Skull & Bones, William Shockley, et al, down to today's new-era, "white rat race," Manichean behaviorism, or, up to today's practitioners of "overt" as well as "subliminal" racism.
For a discussion of the issues of monogenesis and polygenesis in regard to racial attitudes toward the Indian, see Reginald Horseman's "Scientific Racism and the American Indian in the Mid-Nineteenth Century," in American Quarterly, XXVII, May 1975, pp. 152-168
R. E. Tent: “The Dark Side” of SV40 ― “The Real Reason John F. Kennedy Was Killed Top Secret Information A Must watch Please Share” @ https://www.youtube.com/watch?v=FfVZxgsSZ1g Along with "experimental white rats & monkeys," Africans, as well as African Americans, are human victims of this so-called: "Dark-Side Affair." See a "white-washed" ("IAT") case-history by: "U. S. Public Health Service Syphilis Study at Tuskegee" @ http://www.cdc.gov/tuskegee/timeline.htm
Baron d'Holback maintains that from the race in power "a leisured class arises that is impressed by natural events and eager—from a prehistoric noblesse oblige—to civilize, regulate, and enlighten the people. This impulse to civilize, to bring language, laws, and agriculture to men, is close to the missionary spirit, and in order to imprint their lessons on the minds of their new subjects, thse wise civilizing strong men personify nature via poetry to make figures or images that will appeal to the popular imagination." {Source: The Manichean Leitmotif, p. 60.] The mythopoetic of these "wise white folks" is guided by "felt relation" and "life by comparison," as prescribed by Samuel Gilman's "Doctrine of Contrasted Extremes." Furthermore, this "prehistoric noblesse oblige" superior attitudeand will to rule by way of military "glory," tends to be the prevailing mark of those who occupy and permeate "seats" in the legislatures, "benches" on the courts, and "professors' chairs" in the mind-control universities of these United States of America.
Having coined the term “subliminal racism” which is based upon my 1980, UCSD Dissertation, “The Manichean Leitmotif,” I stand to bear witness from my research data that subliminal messages do emphatically produce results and are deliberately struck or embedded into the act and/or mode of presentations through “form, motion, sound, and color” that I call the four aesthetic elements. {End excerpt.}
Confronting doublespeak, plagiarist agents and complicit enablers on obfuscating the SUBLIM and associationist connections between "RAT and NIG," as depicted in the contents of a "peculiar" political ad during Hillary Clinton's run against Obama for President, [ Clinton's 3 am campaign ad @ https://www.youtube.com/watch?v=aZ_z9Tpdl9A ] Graham wrote:
Ann Althouse and Drew Westen are plagiarizers of my original research and literary property on "deconstructing" (the tetranalysis -- methodology) subliminal racism in the media. The mass confusion such as that over the NIG ad is a result of "double speak" to derail the substance, cultural sources and analogues that may give a more credible explanation of what is taking place in the media through deliberate symbolism.
It is regrettable, indeed, that these two liars and dunces, along with others such as Henry Louis Gates Jr. at Harvard, Brian Lowery at Stanford, and Barny Pityana in South Africa, have been misleading the public on the cause and effect of "racial" images/memory in "disturbing" associations, such as the RAT and NIG ad. [Source: "The comments to this entry are closed." http://justoneminute.typepad.com/main/2008/03/if-rats-was-new.html ]
MASS MEDIA DOUBLE-SPEAK, COMPLICIT ENABLERS: POLITICS & CULTURE — ATTRIBUTIONS
Most important to the issue of granting attributions to black scholars for original works, in particular, is Nadine Gordimer's public use of the term "subliminal racism," and the media impact it had or "may have had," had the source and deep substance of that metaphor was fully exposed--wittingly or unwittingly. For that matter, Mick Hartley points to a certain anthology and explains the media-impact occasion for Gordimer's utterance of "subliminal racism," in his blog: POLITICS AND CULTURE @ http://mickhartley.typepad.com/blog/2004/03/writers_on_iraq.html {Excerpt}
Writers on Iraq
On the occasion of the publication of a new anthology, "Authors Take Sides on Iraq and the Gulf War", Clive Davis in the Times has an article that's worth reading: {End excerpt.}
According to Clive Davis, "Most troubling of all was the collective inability to understand the forces driving American policy. The liberal intelligentsia spends an awful lot of time denouncing the actions of the Bush Administration, yet rarely bothers to analyse its philosophy. Neo-conservatism, to give the most obvious example, is the most fashionable word on everyone’s lips — the actor Tim Robbins flays into Richard Perle & Co in his satirical play Embedded, at New York’s Public Theatre — yet how many of the literati actually know what the term means? I sometimes suspect that salon critics like the term because it sounds thrillingly close to 'neo-fascist.'” Clive Davis of the Timesobserved that Nadine Gordimer "skewered the West's 'subliminal racism.'"
The crucial point is the presence of “subliminal racism,” within the Bush II White House and among his rampant complicit enablers (including Secretary of State Colin Powell, Attorney General Alberto Gonzales, and Press Secretary Scott McClellan), that Graham points to in Jupiter Island Media Patriots (2008), by exposing the occult and hidden typological and allegorical significations of Neo-Conservative “religion in politics,” which entered the thought processes and conceptual patterns of Bush II and others in government, and, thereby, were manifested in the preparations and executions of the so-called 9/11 “attacks on America.” The full historical and cultural force of Graham’s research and observations of the 9/11 event, within the history of ideas, is best explained―in direct continuity―from activity of thought testified to in Hewes’ Traits of the Tea-Party. Graham contends that the Father-Founder of this Tea Party is the Famous Rev. Mather Byles; today, leading the cause, the "Tea Party" Koch Brothers, exposed @ https://www.youtube.com/watch?v=2N8y2SVerW8
In other words, the full force and significance of the illusive mystery key to 9/11, II KINGS 13:20-21, and its subliminal connections to the war in Iraq, is best explained, within the history of ideas, by this passage in George Robert Twelves Hewes’ A Retrospect of the Tea-Party (1834) and Traits of the Tea Party (1835):
The period is now coming on, when matters of “high pith and moment” began to be “acted o’er,” in which the presence, and especially the participation, occasionally, of our hero [make that George "Hamlet" W. Bush], will be justly regarded as imparting its main interest to his testimony of the times. [Quoted in Southern Renaissance, p. 115.]
And what then was Nadine Gordimer’s main interest (and that of her race-card adviser, plagiarizer Dr. Barney Pityana, from South Africa), in edging around Graham’s metaphor, “subliminal racism,” and what resulted from her “mass-media impact,” hot-air testimony that led her, privately, to have “skewered the West’s ‘subliminal racism’”? [See Discrete Silence Essays, pp. 60 to 61.]
Now, really! Do dat mean—"skewered"?—impaled, spat, speared, pierced, baynotted, spiked. In effect, then, Nadine Gordimer transformed her ignorance and fake "anger and outrage" into a DART OF DEATH! So, the "West" gets the death blow for my 50 years of work-study research to come up with the expansion and explosion of the metaphor, "subliminal racism"---as demonstrated and defended by this syllabus—a saving grace, indeed. ..."Back that ass up!" ... Old Gal, and "Pimp My Ride."
Writer Nadine Gordimer, (1923 - 2014), right, on "Subliminal Racism"
"Dart the bright eye and shake the painted plume." The Famous Rev. Mather Byles as "Andromeda Phillis Wheatley." {p. 87, Southern Rennaissance.}
ATTRIBUTION DENIED: See Discrete Silence Essays, pp. 57 to 68, for additions to this listing of names, namely, Bruce Davis, Bill Duke, Gil Cates, J. Eugene Grisby, III, Linn Washington, Gerrie Snyman, Claudia Braude, Enid Lee, Augie Fleras, and the recipient of the 1991 Nobel Prize in Literature, Nadine Gordimer. [See Nadine bio @ https://en.wikipedia.org/wiki/Nadine_Gordimer ]
A Comprehensive List of Celebrities Who Have Spoken Out About the Lack of Diversity at the Oscars
Clck here ... https://www.youtube.com/watch?v=L2Mi7HA3uQA for Dustin Hoffman's use of the term "subliminal racism" in response to this "lack of diversity at the Oscars" issue, and read Graham's response and commentary on "Rain Man" as a model of "subliminal racism" itself---below @ the foot of this page.
BERNIE SANDER'S "INSTITUTIONAL RACISM" & HILLARY CLINTON'S "ENVIORNMENTAL RACISM" vs. DONALD TRUMP'S "CONCURRENT MAJORITY"— WHICH WAY?
Arthur Graham first brought Hillary's RAT ad to the attention of grassroots folks in LA ... word does get around to suckers who want to pimp and criminalize you for what they do not fully understand or comprehend in the first place. Ann Althouse was recently confronted by phone on the question of her intellectual integrity [on the issue of not granting attributions to Graham for the use of the term "subliminal racism"] ... she quickly hung up! You, Miss "Ann," can run but you can't hide, you damn cheat. [End excerpt--edited. Source: http://justoneminute.typepad.com/main/2008/03/if-rats-was-new.html ]
On this second time around, campaign 2016, Hillary is fronting Dr. Ben Chavis Muhammad's coined term, "environmental racism," by way of her husband, Bill Clinton's race-card adviser, Rev. Al Sharpton (a "seeker-leader" in the Caroline Howard Gilman, Charleston, S.C., tradition of bestowing religious privileges on a "black preacher-leader" who is soaked in religion; and a Boulé advisers's to the king); that is, an adviser to quick-fix, "THEY" DONE IT, "environmental racism." [ http://www.notablebiographies.com/Ch-Co/Chavis-Muhammad-Benjamin.html ]
According to Georgina Gustin: "At the Democratic presidential debate on Sunday, moderator Lester Holt asked the candidates to speak about an issue they felt had been neglected that night. Hillary Clinton, seemingly out of the blue, responded by talking about the unfolding water crisis in largely black, largely poor Flint, Michigan.
The next day — the Martin Luther King Jr. holiday — Clinton continued voicing her anger. “We would be outraged if this happened to white kids, and we should be outraged that it’s happening right now to black kids,” she said at an event in South Carolina." [End excerpt.]
Despite Hillary's fake "anger," the discrete and sublime, ironic message is that, because of the New World Order "felt relation" and "life by comparisons," white folks "should be outraged" but, dammit, they ain't! And you know it!!
Charing Ball stated: "I found Sanders’ insistence of calling it “institutional racism” as opposed to “systemic racism” very curious. Perhaps it is just a matter of personal semantics. However, some of you all would be surprised to know that institutional racism and systematic racism have their own unique definitions and theories. More specifically, “systemic racism” is a term credited to Joe Feagin, who in the book, Racist America: Roots, Current Realities, & Future Reparations define the critical race theory as:
“Systemic racism includes the complex array of antiblack practices, the unjustly gained political-economic power of whites, the continuing economic and other resource inequalities along racial lines, and the white racist ideologies and attitudes created to maintain and rationalize white privilege and power. Systemic here means that the core racist realities are manifested in each of society’s major parts […] each major part of U.S. society–the economy, politics, education, religion, the family–reflects the fundamental reality of systemic racism.”
Bernie Sanders seemed to "own" institutional racism: "I believe that as a nation in the year 2016, we must be firm in making it clear. We will end institutional racism and reform a broken criminal justice system."
Amidst all these academic definitions and empty, baneful rhetoric, where is the "names & numbers" substance (the stick to the rib, research "proof" to co-called, "it")—to "institutional racism," "systemic racism," and "environmental racism"? Or, as Reagan might say: "Where's the beef?" Or is "it" merely a cop-out "matter of personal semantics"? If I, personally, can help it, no one will read "subliminal racism" as the "THEY DONE IT" spook and run with "it." Not even Nadine Gordimer and Dr. Barney Pityana, both of South Africa.
Donald Trump has the backings of the "silent majority" to "make America Great Again," no doubt, in the tradition of the "concurrent majority," during the glorious, "slavery days" of the "Great Triumvirate--Calhoun-Webster-Clay." You all "race-card" pundits: Do dat mean? Big issue, really big issue, eh? ... Like Bernie's "black power" moribund, "THEY" DONE IT "institutional racism." ... But "Trump 'em!" For real.https://www.youtube.com/watch?v=2ayHf7qbZGA
So Welcoming It Hurts [Begin excerpt} German Chancellor Angela Merkel opened the floodgates last summer when she announced her country would welcome 800,000 refugees from Muslim countries in the Middle East. Naturally, many would flock to the healthiest economy and most welcoming country in Europe. Over one million refugees would eventually arrive within Germany’s borders.
DRAIN THE “DISMAL” SWAMP: In Styron’s Nat Turner, the “dismal swamp” is described as a refuge for ill-advised retches―such as, “Nat Turner” the “bad nigger.” In fiction as well as in reality. See, for example : Deep in the Swamps, Archaeologists Are Finding How Fugitive Slaves Kept Their Freedom
However that may be, the visceral, atavistic sources and origin to “drain the dismal swamp”―in terms of the “racial divide”―is much deeper than today’s “DC analogy” or to George Washington’s efforts to drain the Great Dismal Swamp for land speculators [@ http://www.mountvernon.org/digital-encyclopedia/article/dismal-swamp-company/]; but subliminally points to the CIVIL WAR and to historical cipher NAT TURNER, or, one might say, as a true die-hard Southerner or Northerner, to “favor the race to which I belong having the superior position,“ all in connection and opposition to the “War of Northern Aggression” and its imposition of “social and political” black-white “equality.”
See “Attitudes of Repugnance and the Racial Divide,” in Graham’s Teachable Moments, for sublime awareness and insights into Trump’s Southern Renaissance [i.e., "Franklin Pierce II" political analogy on pp. 152-157] , conveying a hyper-myth message in code: Drain the Swamp of the Obama “negro problem” and “make America lily-white again.” Here, then, is an expression of the “hidden language of the negro” within the “Party of Lincoln” in yo face: “I have no purpose to introduce political and social equality between the white and black races” [p. 21, TM], uttered by Abraham Lincoln in a debate with Stephen Douglas, 1858.
William Frank Buckley Jr.[1] (November 24, 1925 – February 27, 2008) was an American conservative author[2] and commentator. He founded National Review magazine in 1955, which had a major impact in stimulating the conservative movement, hosted 1,429 episodes of the television show Firing Line (1966–1999), where he became known for his transatlantic accent and wide vocabulary,[3] and wrote a nationally syndicated newspaper column and numerous spy novels.[4][5]
George H. Nash, a historian of the modern American conservative movement, said Buckley was "arguably the most important public intellectual in the United States in the past half century… For an entire generation, he was the preeminent voice of American conservatism and its first great ecumenical figure."[6] Buckley's primary contribution to politics was a fusion of traditional American political conservatism with laissez-faire economic theory and anti-communism, laying groundwork for the new American conservatism of presidential candidate Barry Goldwater and President Ronald Reagan, both Republicans. "Buckley lighted the fire," in the words of former Senate Republican leader Bob Dole.[7]
Buckley is a premiere beneficiary of the Southern School and Strategy, a discrete —Skull & Bones—“craft” practitioner of the “Autotelic Structure” of writing, race, and difference. But missing from this account is Buckley’s “marriage” to the “New Criticism” of the Southern School “sublime aesthetics” and Political Strategy, or, one might say, Buckley’s discrete —Skull & Bones—“craft” practitioner adherence to the “Autotelic Structure” of writing, race, and difference. We will get down to know the meaning of this metaphor, in Graham’s essay, “Art for art’s sake: Autotelic Structure,” in Subliminal Racism Essays, and of course, apply our insights to our discussions and comments. [New Criticism: https://en.wikipedia.org/wiki/New_Criticism ]
The power and narrative force of the Autotelic Structure is attested to in Stanly Ezrol: "It Only Smells Like the Island of Dr. Moreau." [ MUST READ: http://www.larouchepub.com/other/2001/010902_ezrol_moreau.html ] According to Ezrol, the Fugitive Poets or the Nashville Agrarians are "third-generation descendants of the Tennessee Templers, who, along with Confederate Gen. Nathan Bedford Forrest, and Albert Pike, the Sovereign Grand Commander of the Southern Jurisdiction of the Scottish Rite of Freemasonry, founded the Ku Klux Klan in 1866." Furthermore, "They directly created and have led the leading school of literary criticism, which dominates the Modern Language Association ... they also have played a very important role in influencing all of the institutions of so-called culture and entertainment, typified by the Hollywood movie industry." [Quoted in Subliminal Racism, p. 54-55.]
GEORGE H. W. BUSH – Former President, USA
George H. W. Bush (1924-2018)
"Letters & Numbers" - Skull & Bones | Why George H.W. Bush, #41, died November 30, 2018 +Paul Walker, McCain, W & Barbara
LIVE/DIE by the Code: Graham: "The Grand Tour Lie: 1711 - 2153" See another angle of photo on p. 247, Southern Renaissance.
Bush Sr. is the “Skull & Bones” Master-mind of the “New World Order” 9/11 attacks on America, or the false-flag, DOG WHISTLE, mystery key to 9/11: II KINGS 13:20-21. In “Jupiter Island Media Patriots,” Arthur Graham wrote: {UPDATE - CIA MIND CONTROL UNIT @ https://www.youtube.com/watch?v=vjFbPmey9CY }
Illuminati Bush Sr. envisions “reading” as a “mind control” mechanism for “programming” self and others, while being under the impression that “You Are What You Read.” In TranceFormation of America, Cathy O’Brien, a victim-survivor of the Bush reading program, informs us that it achieved “the desired affect of fantasy becoming reality.”
RALLY ROUND THE FLAG - Observe the well-positioned and meticulously tailored "Stars & Stripes" red-white-blue flag over Bush I Right Shoulder. Beyond being photo shopped and trimmed stiff to the bone, examine the artificial "waves" of the flag, NOTE: 1) stars group: 1 next to 3 = the number "13." 2) stars group: 3 top Δ and 4 bottom ∑ = the number "7" - seven stars of Orion. Note also "Gamma" grinning at you with this emblem in "white" Γ ... the compass, the square and the 7th letter "G" ... behold "George's" Masonic "eye on the stone!"
"Seek him that maketh the seven stars and Orion, and turneth the shadow of death into morning, and maketh the day dark with night: that calleth for the waters of the sea, and poureth them out upon the face of the earth: The Lord is his name." [Amos 5:8.] The other 7-stars ["and Orion"] is the Great Bear or Ursa Majoris, that celebrates the coming of Helleagen the Waggoner in the Sign of Tarus, aka the DEATH WAGON @ p.110 and p. 161, Southern Renaissance.]
"For the Lord God is sun and shield." [Psalms 82-84]
Now bust out yo bible to Amos 5:8 and Psalm 84:11, and see God Is Sun (Lucifer / Light), Bush I is Orion. On his own watch, "1,000 Lights" George H.W. Bush served as commander-in-chief of "Operation Desert SHIELD" [later, "Storm"], with the war cry motto: "We Own the Night" - p. 5, JIMP.
On Bush II watch, similar "stars group" from father to son dynasty is conveyed by the Bush II photo below—continuity of Reagan's "star wars," with the Presidential Flag displaying the left talon of the Ball Eagle, grasping "13" Arrows, in a time of war, p. 70, and p. 66, JIMP: 3): GOD OF THE OATH—and the church, "Bethany," or, Eliza I to II bloodline @ p. 211 to p. 213, Southern Renaissance. Compare the photo of Bush II (or, (Osiris) "Orion's" son "Horus" below), released by LA TIMES on September 14, 2001 ... fine tune the significations of the mystery key to 9/11 - II KINGS 13:20-21: "And Elisha died, and they buried him. And the bands of Moabites [today's Muslim Terrorists] invaded the land at the coming in of the year" [9/11] "and when the man was let down [into the sepulcher of Elisha], and touched the bones of Elisha, he revived, and stood upon his feet."
Within discrete, Grandfather Clock tradition, there's a Colonel Henry Lewis Stimson's Bonesman for you! Bush II doing the "dirty dance," three days after being let down into the gigantic hole and "sepulcher" that was once the basement of the Twin Towers, waging false-flag "war on terror," aka OIL—"Operation Iraqui Liberation."
And the Mickey Mouse Subliminal Illuminati Game is all yours! {Extra Credit testimonials - follow: "Medes" = "Media."}
16. R. E. Tent: “The Dark Side” of SV40 ― “The Real Reason John F. Kennedy Was Killed Top Secret Information A Must watch Please Share” @ https://www.youtube.com/watch?v=FfVZxgsSZ1g
The A & Ω Tricknology Novelist of Subliminal Racism
See Graham's "William Styron" ... in The Manichean Leitmotif ... deconstruction of "Confessions of Nat Turner" ... revealing that "Nat" is a "negro cipher" that never existed.
Author and filmmaker of The Confessions of Nat Turner, ”the novel was a runaway critical and financial success, and won both the 1968 Pulitzer Prize for Fiction,[8] and the William Dean Howells Medal in 1970." {Source: Wiki bio.} Theorist of the Southern School: Leitmotivs—the Negroes, or, segregated “life by comparison.” Co-actors and friend of Henry Louis Gates, Jr. See Graham’s SUBLIMINAL RACISM ESSAYS, critique on doc-movie, “Nat Turner: A Troublesome Property.”
Among the honors bestowed on Lie Down in Darkness was the prestigious Rome Prize, awarded by the American Academy in Rome and the American Academy of Arts and Letters.[2] Styron was unable to immediately accept the award because he was recalled into the military during the Korean War. {End excerpt: Source, Wikipedia.}
The Southern School and its Strategic Autotelic Structure runs deep in Styron’s veins for conveying “leitmotivs―the negroes” as death’s-head reminders at recurrence and contrast intervals, not only within the body of work at hand but also over time-space. Caroline Howard Gilman’s “faithful servant,” in these regards, was shown above to mirror Styron’s servant, “Old Negro woman” Ella Swan; and the narrative sketch is worth repeating here, to further illustrate how fixed ideas on race and religion discretely enter European “craft” conventions, and subliminally seduce and reduce us all; that is, dumb us all down:
Within this "peculiar" Southern School Tradition of writing, race, and difference, Caroline's pioneering sketch of a servant girl's "highest ambition" is formulated into the forensic stereotype, "leitmotivs--the negroes" (the brother/sister of death), by way of white "felt relation" and black "life by comparisons." In William Styron's first novel, Lie Down In Darkness (1951), for example, the subliminal Autotelic Structure in continuity depicts servant girl Ella Swan who appears as an "old Negro woman dressed in black silk and white lace collar and cuffs," in a word, this "old cow" appears at intervals of recurrence and contrast, as a living "Death's-head reminder" attending Peyton's (Death-to-her-Soul) funeral. [See segment, William Styron, in The Manichean Leitmotif, p. 202.]
To see how this tricknology works, place in juxtaposition Styron’s Old Negro woman “description” next to the “sketch” of Mather Byles’ “negro cipher,” Andromeda Phillis Wheatley―shown immediately below, next to the smiling photo of Mr. Gates―in her servant attire spouting sermon-repeated homilies, "with great solemnity, 'Some cambric to make me a shroud, I thank you.'"
SIR THOMAS BROWNE: Urn Burial
"It cannot be long before we lie down in darkness, and have our light in ashes; since the brother of death daily haunts us with dying mementos."
{Source: Quoted in The Manichean Leitmotif, p. 197. }
GRANDFATHER'S URN: THE BOULÉ BURIAL - BROTHER OF DEATH
In honor of ""Black History Month"", BLACK CHILD presents.. MARC LAMONT HILL & The BOULE/Black Greek Fraternities EXPOSED!! Yes, even MLK was apart of the babylonian wickedness... @ https://www.youtube.com/watch?v=nXYyafFwv_w
Nelson Mandela, 46664, Ubuntu & the Knights of Malta Deception
Thank you, Sistah Mumbi I was in New York City during that historic "event" when Mandela "visited." I took a lot of "slacks" from almost everyone for refusing to flock to him because I knew and felt deeply that he was a skunk! Stinker than any fart that was EVER emitted for all "assholes." Murder will out! Now, we have "REGROUP" TO KICK AZZ!!! I HAVE CRACKED THE "RACIST CODE" ...of the CONTROLLING MYTHOLOGY OF THE WESTERN WORLD. All should get acquainted with my body of works that stand upright to prove, by NAMES & NUMBERS, the who, what, when, where and how of this forensic "CODE." You all ...please go to this link: https://blackstudieslegacyfoundation.org/index.php ... MEDIA WATCH DAILY ... and READ .. Arthur J. Graham, "Southern Renaissance: Subliminal Omni Ciphers & the Autotelic Structure of the Land and Slave Kingdom of God" (2012; 328 pgs.) We will redeem so-called "South Africa" and take our lands back, "by any means necessary!" Jubilee!
.
HENRY LOUIS GATES JR.
Meet “the asshole traitor,” as Poet-Playwright Amiri Baraka described him, Henry Louis Gates, Jr., a self-made so-called “Public Intellectual” and Signifying Monkey King-Coon of: “Yo mama!” ― Andromeda Phillis Wheatley, the “negro cipher” that never existed. For an eyewitness and personal, insider account of the Gates-Baraka battle royal, see "Profiling Slip Rock Skip," in Graham's Teachable Moments.
“For a long time, we have been told that subliminal racism is the wrap and woof of America. The press has made much of implicit-association -tests [a plagiarized feat by Gates @ Harvard’s so-called IAT], which reveal that a majority of test takers are slower to associate black people with various positive words than white ones. Researcher A.G. Greenwald and L. H. Krieger have extrapolated from this that America suffers from a plague of subliminal racism, which leads to negative behaviors directed at people of color.” [Excerpted from The New Republic. Source: pp. 310-311, Southern Renaissance. ]
It’s on the “internet record,” the many times I called Gates out for attempting to co-opt “subliminal racism” into concocted “implicit bias” and make money “testing” idiots who want easy way out—“implicit” not “real” and with a cunning shift of “assumed blame” or “antinomian responsibility” to the victim. Take note that Gates has eased away from “IAT” and slipped into “DNA” fortune-telling, pseudo-scientific, con-artist "Public Intellectual" pimping! Once again, Gates' dirty dance is fully exposed in “The SUBLIM Death’s-Head” essay @ menu, click to “Social Media Center“ on this page. See the video AFRICAN AMERICAN DNA IS BULLSHIT @ https://www.youtube.com/watch?v=dzUYYXm44qI
A "TEACHABLE MOMENT" - INDEED! Given what BSLF know--up front & behind-- the Gates "arrest" and the institution of "implicit bais" as a litmus test of "race relations" and a so-called "post racial" era emerging, we contend that the following "article" is a prime example of "dumbing-us-down" teachable moment.
Obama Legacy on Race is About Representation, Respect
byAdam Howard
The first significant controversy of the first black president's tenure in office was a racial one.
When President Obama came to the defense of African-American Harvard Prof. Henry Louis Gates —
who was arrested while trying to enter his own home and said the white officer involved acted "stupidly,"
But how about “who told what for a long time” attributions?
Where are the real “names & numbers” of players in this dumbed-down, dirty-dance drama?
For the “battle royal” trauma in de drama, I personally contacted Mr. Greenwald and Mr. Krieger and charged then both with plagiarizing and turncating my research and coined metaphor, “subliminal racism;” and stated, quit bluntly, that their camouflaged, Henry-Louis-Gates-Based “IAT” is a fraud and a cunning hoax: See the Gates-Harvard, Implicit Association Test @ https://implicit.harvard.edu/implicit/ discussed on p. 310, Southern Renaissance. ... End of “the asshole trials” of Slip Rock Skip Gates.
Amiri Baraka, Poet-Playwright (October 7, 1934 - January 9, 2014) "We are our feelings — not a theory in ether."
Dr. Gates is the revered author of The Trials of Phillis Wheatley, America’s First Black Poet and Encounters with the Founding Fathers. See Graham's rebuttal of Gates' "Trials" and Dr. Anna Schmidt's critique on the authenticity of Phillis Wheatley, p. 55 to p. 65, Southern Renaissance.
"BO ZOONOMIA" UPDATE - Michelle Obama Opens Up On Race : "The Angry Black Woman" @ http://www.cbsnews.com/videos/michelle-obama-on-being-called-an-angry-black-woman/ - Final Interview at White House with Oprah @ http://www.cbsnews.com/live/video/michelle-obamas-final-white-house-interview-with-oprah-winfrey/?ftag=CNM15cf32cDescending the "Monkey Bars" - Michelle Obama: "Where dat came from?" Both Michelle and Oprah missed de boat on "The Angry Black Woman" as THE "Manichean dualism," demonizing, hyper-myth in code, along the Grand Tour Lie 1711-2153. At the DNC 2016 Convention, Sen. Cory Booker said: "My fellow Americans — my fellow Americans, we cannot fall into the complacency or indifference about this election, because still the only thing necessary for evil to be triumphant is for good people to do nothing. You know the saying." The saying referred to is that of the father of conservatism, Edmund Burke's "Evil prevails when good men fail to act." But does Sen. Booker know the "source" of his "post racial speech"? @ http://time.com/4421756/democratic-convention-cory-booker-transcript-speech/ ... "No crabs more active in the dirty dance. Downward to climb. And backwards to advance."
"Kanga Li" - "Stop their evil actions!" "Kanga Bafyòti!" - "Stop the Black Traitors/Collabrators."
Aduku Addae Arthur Graham Amiri Baraka
Tenderloin Book Fair San Francisco, CA, February 2004
Now, did the juxtaposed “model resemblance" (Sketch of cipher Phillis, next to Gates, above) to the two narrative sketches (Caroline's "faithful servant" & Styron's "old Negro woman Ella Swan") “jes grew” into random emblems, or are they deliberate and systemic, subliminal archetypes, comprising a hyper-myh in coded continuity that is discretely designed to convey Death to the Soul: The King of Terrors?
For answers with resolves, see where we are coming from: ABOUT US: "The Legacy of Black Studies and the Next Generation: New Structures New Research New Direction." [@ https://blackstudieslegacyfoundation.org/aboutus ]
Carter G. Woodson Center [Begin excerpt}
The sankofa symbolizes the Akan people’s quest for knowledge among the Akan with the implication that the quest is based on critical examination, and intelligent and patient investigation.
The symbol — shown in the photo on an interior window in the Carter G. Woodson Center — is based on a mythical bird with its feet firmly planted forward with its head turned backwards. Thus, the Akan believe the past serves as a guide for planning the future. To the Akan, it is this wisdom in learning from the past which ensures a strong future.
The Akans believe that there must be movement and new learning as time passes. As this forward march proceeds, the knowledge of the past must never be forgotten. {End excerpt. Source: https://www.berea.edu/cgwc/the-power-of-sankofa/ ]
Come back, seek and take or recover--- your spiritual well-being and integrity, in the tradition of SANKOFA. [ "Intoducing SANKOFA Archives" @ https://www.youtube.com/watch?v=WrIx0Kx1NaM ]
Or, with uncertainties, fly "everywhere" to "nowhere" in the Battle Royal “dirty dance” club, JesGrew, featuring the rat-pack niggerati―headed by Henry Louis Gates, Jr.—the Signifying Brother of Death—and Ishmael Reed, recipient of the Phillis Wheatley Award From Harlem Book Fair (2003); both of them are in blind-faith praise of "Yo Mama!" ... with "Black Lives Matter" Cornell West, "ChickenBones" Rudy Lewis, "Post-Structuralist" Houston A. Baker, Richard Yarborough, Steven Anderson, Claudia Mitchell-Kernan, Paula Marshall, and Mari Evens, singing "hymns to the morning"―"Aurora hail,and all the thousand dyes, Which duck thy progress through the vaulted skies"—starting point: UCLA 1983: CALL FOR NEW DIRECTIONS IN CRITICISM, pp. 291-296 and p. 86, Southern Renaissance.
"No crab more active in the dirty dance. Downward to climb, and backwards to advance” [Alexander Pope: The Dunciad. ] {Aka – @ de grassroots as HNIC, Harvard University}
A COMPOUNDED NOTE:
1) Meet the most famous victim of FBI COINTELPRO "Black Death," Eldridge Cleaver, and the most notorious traitor of them all, Darthard Perry. I met them both. https://www.youtube.com/watch?v=5Y7kZH3-o88
Cleaver ran for president on the slogan, "Fuck Ronald Reagan!" "Darthard" called himself "Felton" and I knew all along he was a snitch. In battle royal academia, the tenured "niggerati," JOKE-YOKE is Slip Rock "Skip Gates."
2) See "The SUBLIM Death's-Head" that presents letters of Henry Louis Gates Jr. and exposes him for what he is--a false prophet with an intrepid passion for lying, and a dumb-ass plagiarizer.
Gates exposed: Go to menu "Social Media Center," on this page, and click to pdf @ The SUBLIM Death's-Head.]
In the wake of Amiri Baraka passing, we’ve been speaking with a number of people about his life and legacy.. One of the people closest to him was legendary poet, educator and author Sonia Sanchez. She’s the author of over 20 books including Sonia Sanchez is the Homecoming, We a BaddDDD People, Love Poems, I’ve Been a Woman, A Sound Investment and Other Stories, Homegirls and Handgrenades and most recentlyMorning Haiku.
She is also the Poet laureate of Philadelphia and was in the process of working on a book with Amiri about the Black ArtsMovement which was due out in May of 2014. {End excerpt.]
See AmiriB @ p. 178 & p. 164, Sister Sonia @ p. 283, and both of them, along with "public intellectual" Gates, all appearing in Dr. Anna Schmidt's essay, "An Examination of the Authenticity of Phillis Wheatley," pp. 55-62, Southern Renaissance.
8) "During a period of financial and medical difficulties," Novelist Zora Neale Hurston (b. 1891), who coined the term, niggerati, "was forced to enter St. Lucie County Welfare Home, where she suffered a stroke. She died of hypertensive heart disease on January 28, 1960, and was buried at the Garden of Heavenly Rest in Fort Pierce, Florida. Her remains were in an unmarked grave until 1973. Novelist Alice Walker and literary scholar Charlotte Hunt found an unmarked grave in the general area where Hurston had been buried, and decided to mark it as hers.[28]" {End excerpt. Source, Wiki bio.]
Behold this fake "life by comparison" subliminal transmutation of Zora's real life story into "Phillis Is My Only Joy"—Some cambric to make me a shroud, I thank you.—CALL IT: The Yale Body-Snatcher Sting!
On Phillis Wheatley
from "In Search of Our Mothers' Gardens" by Alice Walker
Alice Walker's niggerati claptrap—about "contrary instincts" (or "life by comparison" tricknology) is everywhere, re-invents the Byles' "invention" by forging Zora into a "negro cipher," who has cambric trials and domestic tribulations just like "Yo Mama!" Walker is unwittingly unmindful and unaware of the "Autotelic Structure," as put forth in this syllabus—to settle the "ascribed" authorship-authenticity issue. According to Walker: "The key words, as they relate to Phillis, are 'contrary instincts.' For when we read the poetry of Phillis Wheatley--as when we read the novels of Nella Larsen or the oddly false-sounding autobiography of that freest of all Black women writers, Zora Hurston--evidence of 'contrary instincts' is everywhere. Her loyalties were completely divided, as was, without question, her mind.
But how could this be otherwise? Captured at seven, a slave of wealthy, doting whites who instilled in her the "savagery" of the Africa they "rescued" her from...one wonders if she was even able to remember her homeland as she had known it, or as it really was. {End excerpt.]
"Captured" by what "named" person or gang of thiefs?
And why at “seven”? To unravel the sublime mystical theology behind the coded Numerology, start with Leviticus 23:36 ― “For this matter Day Eight comes on like a watered garden (Isaiah 58:11, John 4:7-10).” … “As Sappho, Phillis becomes a poetical genius who falls in love with great white men,” such as the founding fathers, as Henry Louis Gates Jr. would have us believe. To penetrate and grasp the entire “creation story” of cipher-Andromeda Phillis Wheatley, calls for a very close reading of sections PHILLIS WHEATLEY, p. 81 – p. 89; EIGHT DAY CHILD, p. 91 – p. 95, Subliminal Racism. And in the fake Freedom's Journal behold: ORIGINAL COMMUNICATIONS:
With contemptuous ridicule and gnawing mockery, “Original Communications” proclaims that, “In the following short and imperfect account of her life, the writer is chiefly indebted to a notice in the Abbé Grégoire’s works.” This bit of “info” leads our attention away from the “Original” and primary source Mather Byles to an Abbé who would during the times of Jeremiah discover “sacred document” in the basement tomb or sepulchral of an old patriarch like his uncle Cotton Mather or like a popery, living corpse at the Vatican. At times the pilgrimage Journal and its “intasma or smells of decaying corpse” (JIMP, p. 16) become a collection of mystery “craft” poems! [Source: Southern Renaissance, p. 72.]
Walker is edging around DuBois' "double souls" of black folks, the assumptive, "elite 10%" inheritance of a divided but loyal and faithful "mulatto." However well-put Walker's Virginia Wolf "contrary instincts" analogy may be, "In Search of Our Mothers," after digesting Graham's Southern Renaissance, for a fact, when you read "Phillis Wheatley" you most definitely will know you read "Mather Byles," the sought after "otherwise" which eluded Ms. Walker.
But who or what is in this so-called "unmarked" grave? The "freest of all Back woman writers" or a dumb-down, fabled mule? Is this unmarked grave empty? When, how, and by whose pen did this "cemetery" crap enter the real "mind set" of Hurston? We need to stop wondering and start deep, independent, "exorcist" thinking for ourselves. We need to consider that both Alice Walker and Charlotte Hunt—yes, and even Zora herself—got "tricked," like Henry Gates and most of y'all, into believing Andromeda Phillis Wheatley is "Yo Mama!"
"Ah been a delegate to de big 'ssociation of life. Yessuh! De Grand Lodge, de big convention of livin' is where Ah been dis year and half y'all ain't seen me." Zora Neale Hurston's
There Eyes Were Watching God (1937)
[Begin excerpt} Back in 1945, Hurston had foreseen the possibility of dying without money--and she'd proposed a solution that would have benefited her and countless others. Writing to W.E.B. Du Bois, whom she called the "Dean of American Negro Artists," Hurston suggested "a cemetery for the illustrious Negro dead" on 100 acres of land in Florida. Citing practical complications, Du Bois wrote a curt reply discounting Hurston's persuasive argument. "Let no Negro celebrity, no matter what financial condition they might be in at death, lie in inconspicuous forgetfulness," she'd urged. "We must assume the responsibility of their graves being known and honored." {End excerpt. Source http://www.zoranealehurston.com/about/index.html ]
Just above Alice Walker's head is the substance of Zora's "de big 'ssociation of life" and the entire school of "association of ideas," for example, on "taste," by Sir Thomas Dick Lauden, Essay on the Origin of Taste, "in which everything (including so-called contrary instincts) is referred to the principle of the association of ideas." Source: p. 377, Catalogue of Works on Gardening, &c. [In "philosophy," see p. 20, Southern Renaissance, John Locke, an early member of the "Royal Society" and founder of Empiricism who wrote on the "association of ideas."]
The big questions beyond the philosophical grave remain: What is the intellectual and artistic legacy of this "wisest" Delegate to De Grand Lodge, Zora Neale Hurston? Is it consecrated in the memory of an empty grave?
“Decent Grave-Clothes and a Private Burying-Ground Are Their Highest Ambition”
The Famous Rev. Mather Byles wrote eulogies, and so his invention, Phillis Wheatley, supposedly wrote a eulogy for Methodist minister George Whitefield, a leader of The Great Awakening religious revival movement. At the height of this Awakening, Methodist antinomian “enthusiasm” seized ignorant, low-life believers, as well as hordes of blacks, to the point that the concerned, high-life, ruling-class clergy and political elite introduced the term “sublime” [ascribed to Longinus] to replace “enthusiasm,” as a means of separating dignified and elevated sermons from and in opposition to the Awakening’s vulgar, primitive Christianity, a certain frenzied religious fervor or “possession by spirit” seizure that John Dennis first called religious “enthusiasm.” [See Dennis, p. 24- p. 27, TheManicheanLeitmotif, and Awakening, p. 25 – p. 32, Southern Renaissance.]
Douglas L. Winiarski reported that [Begin excerpt}
“Clerical campaigns to exorcise the demon of enthusiasm from their parishes militated against the preservation of documents that might illuminate this crucial dimension of the Great Awakening---with one notable exception. Buried in the correspondence of the Lebanon, Connecticut, evangelist Eleazar Wheelock [1711-1779, founder of Dartmouth College] is a unique vision narrative drafted by an anonymous author, who, by his or her own reckoning, had ‘never Learnt to right nor spell.’ . . . Scrawled in an unschooled hand during the winter of 1741-1742, the 746-word testimony described a celestial spirit journey during which the entranced author was carried to the gates of heaven on the wings of a giant dove and shown his or her name written in blood in the Book of Life by Christ himself.”
Once more, did “Souls Filled with Ravishing Transport” point to that woman who reportedly wrote, “Poems on Various Subjects (1772-73?) while Byles was composing his own, “Poems on Several Occasions” 1744?
This woman would show the right path to Jesus by displaying no “enthusiasm” or “antinomian” trait. She is Byles’ Christianized Africans in America answer to the Great Awakening. She is a mouthpiece for imprecationists, a forerunner to Sarah Palin, indeed! {End excerpt: Source: Southern Renaissance, p. 27-p. 28.]
This "woman" myth-structure, is combined with the Orion myth-structure to trip up the Marcus Garvey Movement, on false charges of "fraud." 8:15 min into video https://www.facebook.com/182876118712/videos/vb.182876118712/10153176094793713/?type=2&theater : The "fraud" supposedly stemmed from: “ … selling tickets on a ship that doesn’t exist” —the "SS Phillis Wheatley." See this copy of Black Star Line Stock Certificate, discussed on p. 277, Southern Renaissance.
Like the Marcus Garvey Cultural Club video-documentary, this excerpt is also on points but does not convey the deep essence of the association of the term "SS Phillis Wheatley" with the fraudulent ship, "SS Orion:"
[Begin excerpt} "Garvey, by the way, was the first the very first political target of J. Edgar Hoover, who was an assistant attorney general in the Justice Department and believed that Garvey was a dangerous foreign national and wanted to deport him. Failing to find any grounds to deport Garvey, Hoover built a trumped up case of mail fraud against Garvey for selling ownership shares in the Black Star Liner Company by mail. The evidence of fraud was based on a painted picture of a ship on a Black Star Liner investment brochure called the Phyllis Wheatley. Hoover claimed mail fraud had been committed by Garvey because a ship named the Phyllis Wheatley never existed in the Black Star Liner fleet. The ship portrayed in the brochure was a ship called the Orion, which Garvey had planned to rechristen with the name Phyllis Wheatley but never had a chance to do so, because Hoover stepped in and arrested him for mail [fraud] shortly after he sent the first batch of 'Phyllis Wheatley' brochure through the mail." [Bold added. Source: Quoted in Southern Renaissance, p. 278.]
MARY BURNETT TALBERT: “PHILLIS WHEATLEY CLUB” - FOUNDED 1899
Mary Burnett Talbert was one of the most committed, versatile and tireless champions of social and political reform for race relations, anti-lynching and women’s rights. Born in Ohio in 1866, she graduated from Oberlin College before moving to Little Rock, Arkansas to teach. When she arrived in Buffalo in 1891 - as the bride of prominent real estate broker William H. Talbert - she already had earned distinction as the first Black high school principal in the state of Arkansas. In 1899, as a member of the Michigan Street Baptist Church, Talbert helped found the PhyllisWheatleyClub, the city’s first affiliate of the National Association of Colored Women’s Clubs (NACWC). She also played a pivotal role in the advent of the Niagara Movement. In 1905, she opened her Michigan Avenue home to W.E.B. DuBois and 27 others for a secret planning meeting of the famous civil rights summit. By 1910 Talbert was lecturing nationally and internationally. In 1916 she became president of the NACWC, and during her two terms was instrumental in the restoration of the FrederickDouglassHome in Anacostia, Maryland. She also was president, vice president and director of the NAACP, and as chairman of its Anti-Lynching Committee lobbied nationally for passage of the Dyer Anti-Lynching Bill. During World War I, she assisted with war loan drives, and became a Red Cross nurse with the American expeditionary forces in France. A year before her death in 1922, Talbert became the first African American woman to receive the prestigious NAACP Spingarn Award. She rests today in Forest Lawn Cemetery and Garden Mausoleum. [Source: Buffalo, NY, African American Community, quoted on p. 269- p. 270, Southern Renaissance.] http://www.blackpast.org/aah/phyllis-wheatley-womens-clubs-1895
{Excerpt― unravelling the “tricknology”} Phillis was raised from the dead by the “Female Dorcas Society” and given a family, a royal-like, First Family Syndrome. “J’s” “bio” is a set piece for an advertisement of the Negro “women sphere” (Dorcas Society) that would meet the whole-hearted approval of trend-setters Caroline Lee Hentz, wife of a plantation owner, and Caroline Gilman, matron wife of Rev. Samuel Gilman, as (concocted) Negro women’s roles during the Antebellum Era: “Remain a servant and all heavenly and earthly needs will be taken care of; or die free in misery and in penury.” [Source: p. 89 and p. 92, Southern Renaissance.]
For the first time in recorded history, the hidden secret of the FBI TRICKNOLOGY, and the mystery key —(SS PHILLIS WHEATLEY — SS ORION — SS FREDERICK DOUGLASS — MARY BURNETT TALBERT —W.E.B. DuBOIS) — "connection," or, one might say, the mystical "association" of fixed-idea, hyper-myths in code behind that TRICK, are exposed and revealed in Southern Renaissance---from page one to page 328! In other words, to grasp the gravity and immensity of Arthur Graham's researched and documented findings on just exactly how and why Garvey was taken out—"by a conspiracy so monstrous one cannot believe it exists"—one must experience this Sankofa "tetranalysis" journey, by way of a close, "solution" oriented reading, with awareness and conviction that "we are our feelings," and with exorcizing fortitude to rid our bodies, minds, and spirits of the "Manichean Dualism."
BBC Timewatch - The Secret File On J Edgar Hoover (Documentary)
Caribbean diaspora organisations join campaign to exonerate Marcus Garvey
WASHINGTON, DC, USA (CMC) – A number of United States-based Caribbean organisations have joined a campaign to exonerate Jamaica’s first national hero, Marcus Garvey.
The Washington-based Institute of Caribbean Studies (ICS), said Caribbean diaspora organisations signing on the campaign include Caribbean Georgia; Caribbean American Advancement Foundation; Caribbean Political Action Committee; Foundation for the Exoneration of Marcus Garvey; Jamaica Association of Maryland; Jamaica Nationals Association; and Rebuild Dominica.
“The campaign offers an unprecedented opportunity for engagement among civil rights actors, research and education institutions, and the Caribbean Diaspora community,” said Jamaican Dr Claire Nelson, ICS founder and president.
"SIGN GARVEY PETITION" ... SAYS JAMAICA PRIME MINISTER, the Most Hon. ANDREW HOLNESS ... for the US Government, to "exonerate" Marcus Garvey: https://www.youtube.com/watch?v=4Hqla46nxs4
Our Southern Renaissance Sankofa experience of “sounding in pen and ink” has propelled us to the epiphany crossroads of death-rebirth where, henceforth, we are generatively alive, and, most definitely, are prepared and ready for regeneration through violence—by any means necessary! The turn-the-other-cheek "dirty dance with death" has ended. After decades of yearnings and attempts to solve the mystery of the FBI TRICKNOLOGY, in order to consciously and physically emancipate ourselves from “mental slavery” as Bob Marley sang about, we are now knowingly “whole” again; we have unshackled all “chains” that have enslaved us, including the hidden language of the Negro, and have proclaimed, henceforth, that we, as a United African People, are “Free at last!” ... We will no longer embark on white folks' ships of fools—the SS Phillis Wheatley and the SS Orion!
With direct reference to Mather Byles’ invented Phillis Wheatley, and unwittingly with striking similarities to Caroline Gilman’s sketch of a “negro servant” code, Alice Walker, unfortunately, interpolated and compared Zora Hurston’s life and death to attributes of a “historical negro cipher” that never existed.
To be media literate within the Black critical tradition of Sankofa, one may ask: Is “honoring graves” Zora’s “highest ambition”? We must become consciously aware of the fact that the “hidden language” of the Negro―both its grammar and its tetragrammaton―is based on white imposed, letters derived from an invented “historical negro ciphers” speech community, or, one might say, devised by and derived from the Autotelic Structure “craft” of writing, race, and difference. Widespread throughout the American culture, this peculiar “hidden language” of the Negro is manifested by everyday expressions of white “felt relation” (sympathy), and by Manichean “life by comparison.” Should we keep slipping into blind “anger,” or must we “sound in pen and ink,” as Dr. Martin Luther King, Jr. wrote, “our own emancipation proclamation” as solution to abolish this forensically imposed “hidden language” of the Negro? [King, see Southern Renaissance, p. 319. "Letters"- Ciphers' Speech Community: See chapter 4, "Cipher: jhpwgmhsecjrfjdw & the Grand Tour Lie," p. 39 - p. 46, Discrete Silence Essays.]
These omni-cipher characters constitute the genesis and revelation of certain peculiar and penitential cries; that is, the sounding “mark of slavery,” designed and destined to “keep the nigger in his place,” and the subliminal “aspects of psychologically sustained oppression,” autotelically structured by way of the Grammar and the Tetragrammaton, as envisioned and set to “active powers,” within the mind’s eye of the Confederacy. The next chapter presents a “desired” or “undesired” entrapment and profiling, Promethean case in point—the rise of the Talbert-Dubois “niggerati” Phillis Wheatley Appreciation Circle, which was symbiotically instigated by the contentious fall of “militant” Marcus Garvey, and by the “Death’s-Head” sinking of the “ambitious” Black Star Shipping Line of the “Black Empire.” [Source: Southern Renaissance, p. 261.]
[In addition to cipher Phillis Wheatley, W.E.B. DuBois also believed in the existence of cipher David Walker; see Dusk of Dawn (1940, p. 193.) Source: Teachable Moments, p. 89.]
DuBois v. Garvey: Origin of the Niggerati Battle Royal: DuBois … “had a mammoth falling-out with Marcus Garvey. As far as I can make out, the ideological disagreement was over DuBois believing that African Americans could live equally with white people. DuBois said blacks have a “Double-Conscious” mind in which they have to know when to act “white” and when to act “black”. Garvey took issue with the idea that anyone should have to assimilate or “fit-in” in the first place.
It wasn’t that gentlemanly a disagreement. DuBois, fearing Garvey would undermine his efforts towards black rights, said: “Marcus Garvey is, without doubt, the most dangerous enemy of the Negro race in America and in the world. He is either a lunatic or a traitor.” Garvey suspected DuBois was prejudiced against him because he was a Caribbean native with darker skin. DuBois once described Marcus Garvey as “a little, fat black man; ugly, but with intelligent eyes and a big head.” Garvey, in return, called DuBois “purely and simply a white man’s nigger” and “a little Dutch, a little French, a little Negro … a mulatto … a monstrosity.”
Robert A. Hill is Research Professor of History at the University of California, Los Angeles. Born in Jamaica, he was educated at the elite Roman Catholic Jesuit-run high school for boys in Kingston, St. George's College. He studied at the University of London; the University of Toronto; and the University of the West Indies, Mona, Jamaica. In 1971, he moved with his family to Atlanta, Georgia, to take up a position as a Research Fellow at the Institute of the Black World. The following year he moved to Evanston, Illinois, where he was appointed Associate Professor in the Department of African-American Studies at Northwestern University. Since 1977 he has been at the University of California, Los Angeles, where he established and is the Editor-in-Chief of The Marcus Garvey and Universal Negro Improvement Association Papers Project, within the James S. Coleman African Studies Center.
"The History of Jesuits, Evil Popes, the Beast of Revelation"
Special Queen Victoria “exile note” to “exonerate” Marcus Garvey
Most of my childhood days, from 1939 to 1954, was spent in Kingston, Jamaica, in the vicinity of Queen Victoria Park― where, daily, I had to pass a towering white marble statue of the Crown Queen Victoria, and, on a most memorable of days, within shadows of this statue, I stood behind a rope and caught a glimpse of Her Royal Highness Queen Elizabeth II of England and her Duke, passing in parade, on the “other” side of the rope.
“Shit!” me sey. De obeah jook me! Fe go wey fling stone behind me and neva come back! Me sey de "old cow" obeah dem nuns jook pon me azz at St. Aloysius Boys School on Duke Street, pounding us all into submission to assemble into a large choir singing Her Majesty Coronation Song: “Elizabeth of England So noble kind and true. Your grace and charm become you as a daughter of a King.” Dem me watch de Queen dem, white as snow, and think pon America, to get me rass-clothe out dis ya colonial pussy hole! After 62 years in exile, and an entire by-pass of “independence,” same school today: “aata”
MT 198: "Follow de Drinking Gourd - We are our feelings"
Edmund Burke's "Sketch of a Negro Code: Branding Slaves"
Work-study MUST READ: "Edmund Burke: Sublime Terror and Entailed Inheritance," pp. 65 to 68, Southern Renaissance; and decipher the discrete Masonic "sketch of a negro code" BRANDING SLAVE--DRAWING, or, "imp on top of a cow-house," by way of "Hathor the world cow." See, related p. 50 and p. 139, Fig. 45: The Planisphere of Denderah, didicated to Hathor-Nut-Isis. Anyone ever called you an "old cow?" Do dat mean? Why were black female slaves forced to breast-feed white babies? Brace your self! It's reparations judgment day. See "Marching For Afrikan Reparations" 2016 @ https://www.youtube.com/watch?v=nILAtHkRkfQ
What then is the emblem of Hathor the World Cow? [Source: http://www.ancientegypt.co.uk/gods/explore/hathor.html ] In this OSB Sketch of the Negro Code, by "Felch Riches," behold "young" Lucifer: "Holding of the Light." Note, also, between the young man's crutch, inside the barn, below-right, lower-ground level, a "black" figure hanging in the doorway, by the "neck," apparently.
According to Arthur Graham, a “technique of repression” (Alan Henry Rose, 1971), in regard to American literary tradition and its images of the Negro, “exists through the theoretical construct of the Manichean leitmotif.” Within the Black Tradition of shadowing this “technique of repression,” Graham listed the following works in the Manichean Leitmotif: … [namely, works of Sterling Brown, Catherine Juanita Starke, Lemuel Johnson, and Ralph Ellison.]
[Source: Southern Renaissance, p. 264.]
The work-study guidelines presented in this media literacy syllabus is in answer to our need to acquire critical thinking skills and new method of inquiry that are offered by a new paradigm shift and approach, Graham’s tetranalysis. The purpose and intent of this “syllabus exercise” is for us to gain sublime insights that are essential for unravelling the significations of “subliminal racism,” a deplorable aberration which is moulded by the instructed vision of European, twisted mystical theology and linguistic mind-control, Autotelic Structure, a “fixed-idea” structure of “keeping niggers in their place,” transpiring along the ideological and discrete, Zionist New World Order, celestialtimeline, the Grand Tour Lie 1711 to 2153. [Key references: Grand Tour typologies: II KINGS 13:20-21, Ezekiel 37:6, and Amos 5:8 discussed in this paper.]
Overall, Southern Renaissance: Subliminal Omni Ciphers & the Autotelic Structure of the Land and Slave Kingdom of God is a profound presentation of researched and documented “names and numbers” of real persons and imaginary “negro ciphers.” The book exposes the barbaric “instructed vision” of the Western World “controlling mythology,” which imposes on African people, the stereotyped, atavistic emblem of being the “dark side” brother and sister of death, who spout homilies of white sermons repeated, with Death’s-Head crave and “enthusiasm” for the grave being the mark of one’s highest ambition: With great solemnity, “Some cambric to make me a shroud, I thank you.”
3. A Collection of reviews ― honors: The Manichean Leitmotif
Book Description
The Manichean Leitmotif analyzes in well documented detail the work of English and American theologians and aestheticians, such as Cotton Mather, Edmund Burke, Samuel Gilman, Orville Dewey, Hugh Swinton Legaré, and others, as well as writers such as Dante and Milton, to show how light and dark, human and sub-human, good and evil, etc., came to be mixed up with Moors, Ethiopians, and the slave trade. Piece by piece Graham constructs a zeitgeist, which, although one may disagree with certain particulars, cannot, on the whole, be dismissed.
Honors & Distinctions
The book made a significant and aesthetic contribution to the online entry description and definition of the term “leitmotif” in Wikipedia, wherein The Manichean Leitmotif gained the distinction:
The book’s original research on Samuel Gilman was recently incorporated into his biography in Dictionary of Unitarian & Universalist Biography; Graham ascribed authorship of two articles, “Theory of Association in Matters of Taste” and “American Literature,” to Gilman, appearing in the Southern Review (August 1831). See “The Doctrine of Contrasted Extremes,” in Arthur J .Graham, The Manichean Leitmotif (2000). More:
“What Graham shows in his text, a dissertation, is that racism in fiction does not just occur in the default by which whiteness is held as central, universal and blank or without the history that characterizes it to those offended by white history. He shows a deeper kind of vilification in the way scenes are depicted.” Douglas Curt Lyons (More: See message 173921)
“Speculations: For Writers Who Want To Be Read
4. MUST READ: TERANALYSIS™ — Theory & Praxis Marketing Adaptation: Proceedings of the 1996 Multicultural Marketing Conference
MYTHOPOETICS OF GRAHAM'S "DEATH'S-HEAD" & "TRIADIC COLOR STRUCTURE"
1887 Painting by Viktor Vasnetsov
This photo points to the core occult symbolism revealed in Arthur Graham “triadic color structure” and, demonstratively, to Melville’s “death for the figurehead” NEWFOUNDLAND DOG in the short story, “Benito Cereno” (1856). Within the overall conventions of the novel, these four horses and riders in Revelation best explain the very essence and numerical base of conveying “subliminal racism.” In other words, the four horses and colors, from right to left―by way of biblical allegory and typology—are carried over to poetry, to painting, to sculpture, to musical leitmotif, to photography, to motion pictures, to advertising, to ALL MEDIA—and, by way of “typology” or “poetic” application, this biblical allegory has entered the thought processes and conceptual patterns of all aesthetic and “craft” (yes, especially “sublime” Masonic Craft) conventions of the Western World.
More precisely, this allegory led Cotton Mather to decree: Let us look upon everything as a Death’s-Head set before us, with a Memento Mori written upon it; and, subsequently, within the tradition, his nephew, the Famous Rev. Mather Byles, was led to invent “Andromeda” Phillis Wheatley, “Yo mama!” By so doing, Byles exorcised his “sin” (Manichean dualism: Ralph Ellison) by conveying “sin and death” as forensic, race-based “fixed ideas” confined in an animalistic black horse, specifically, in the FORM, MOTION, SOUND and COLOR of a black “vile body,” his converted African slave, his once so-called diabolical pagan “Phillis Wheatley.” Likewise, in biblical allegorical fashion, KKK Albert Pike and the Order of Southern Brotherhood invented “Onesimus” Nat Turner, your “Yo-yo Pa,” depicted always with wiggling toes dangling from a dead-weight body suspended by a lynch noose, becoming, in effect, emblematic of the defeated, subservient “dark skin” satanic father.
Today, this tendency of demonizing “the other,” or, one might say, racist-sexist “craft," stands as progenitor of the Autotelic Structure of writing, race, and difference—Manichean leitmotif differences or, as William Styron would have it, juxtaposed “life by comparison” master-slave “gap” differences which stems most immediately from Rev. Samuel Gilman’s 19th century “Doctrine of Contrasted Extremes,” a mind-control doctrine and linguistic expression designed to keep “niggers” in their biblically derived, “dark-side” place—physically, morally, politically, aesthetically, and, above all, always as an economic “inferior” to Europeans.
Unfortunately, within the overall Western tradition, all “Negro ciphers” become and remain emblematic icons or “non-sympathy” and “unfeeling” fixed ideas representing “Death to the Soul: The King of Terrors.” … Ever wonder “why” black lives—in fiction as well as in stalk reality--do not matter in white America?
Teach Graham's "tetranalysis" as an approach and proven methodology to detect and prevent "subliminal racism" in the movies.http://www.hollywoodreporter.com/
History: Of these 25 top film schools, none of them gives instruction about the deliberate “arts, crafts, & sciences” of detecting “subliminal racism” (Graham, UCSD, 1972)―that would ruin the entire Hollywood "box office" entertainment industry. It’s been twenty years since the publication of “Academy Awards and Other Movie Reviews” (Graham & Coffee), a seminal work that introduced the term “subliminal racism” and caused an uproar within the top controlling ranks of industry professionals. In Discrete Silence Essays (2007-DSE), Graham quoted Bruce Davis, in a letter addressed to “Dear Dr. Graham,” December 1, 1992, “I had the opportunity to read Ms. Coffee’s paper shortly after it was distributed, and I don’t think any formal response from the Academy is possible or appropriate.” [p. 64, DSE.]
From the top down (including UCLA Professor Gilbert Cates, a AMPAS governing board member), both the message and the messenger were summarily lynched and roasted black to the ground; but we are back with purpose and intent to end that “impossibility” and to establish a people’s “need to know” how and why we are still being dumb down by still born movies, such as “The Swamp Fox,” “Django,” “American Sniper,” and “The Great Debaters.” What is the myth structure of any of these movies at any given time, and are there thematic and artistic connections among them? What was Bruce Davis and Gilbert Cates frightened of by their callous “put down” in “discrete silence” of problematic SUBLIMINAL RACISM in Hollywood movies?
Daily Variety reported that Bugsy “cinematographer Allen Daviau dismissed the criticism saying: ‘with all due respect to the NAACP, I find this premise utterly preposterous.’” And "Jack Valenti, president of the Motion Picture Assn. of America, wasn’t immediately available for comment.” [Quoted in Arthur Graham & Serita Coffee's Image Coverage: Academy Awards and Other Movie Reviews, p. 67-p.68.]
Muhammad Ali says, “You can run but you can’t hide.” And on this fistic note, we extend our critical “tetranalysis™” challenge, both to detect and prevent subliminal racism in the movies, to the top 25 film schools and their current curriculum and text books now being utilized to dumb us down, and to traumatize us “by the process of motion picture making” that is faulted by the “Autotelic Structure” of writing, race, and difference.
***
"A CHARGE TO KEEP"
Hyper-Myth-In-Code: "No Child Left Behind" & the "Patriot Act" invention of "Patriot Slave Oscar Marion"
“Mystery Man” at the 2012 RNC, 82-year old Clint Eastwood, made our day by way of pulling the “hanging chair” from under invisible man’s feet, a etch-a-sketch, dart of death, “dog whistle sounding” to Obama’s foes and friends alike, triggering a subliminal recall of “black actor” Morgan Freeman’s corpse in a pine box in the movie, “Unforgiving.” Recall also, the ritual source of this RNC hyper-myth-in-code, “death for the figurehead” act, to be the “hanging” at the White House of Bush II portrait—all in the presence of a dumbfounded, unaware and unassuming Obama—being the emblemic hallmark of George W. Bush’s tenure, a tenue or "watch" that was inspired and excited by his book A Charge to Keep (1999), and inflamed by W. H. D. Koemer's thematic painting “A Charge to Keep." The portrait depicts a “hanging” of "a painting within a painting," on the wall behind Bush II, as he stood resolutely with the right hand on the back of the empty chair that seats a Skull & Bones Masonic Apron.
Verily Platt on this issue wrote: "This enduring symbol recently returned to American public consciousness in the wake of Clint Eastwood’s memorable encounter with the absent Obama at the Republican National Convention in 2012. On one level, its reappearance on January 12 could be seen as an effort by the White House to reclaim its symbolism. But while the empty chair can be turned to any number of immediate political ends, the significance of its vacancy has a much longer history." ... "Can we look past the 'talismanic value' of our hallowed texts? Guided by the gods of our better nature, might we turn from mourning to anticipation?" @ https://eidolon.pub/the-empty-chair-and-the-silent-voice-9a8fec9bad9c#.mt6uh8mfw
Racism controversy after Texas Republican hangs empty chair representing President Obama from tree in his yard
At the core, Clint Eastwood's so-called “memorable encounter” with the Obama empty chair, at the 2012 RNC, is categorically, sublime, or “high life,” unfeeling subliminal racism, crouched in the hidden symbolic language of the Negro that is spoken and written “almost” exclusively by white folks. The “empty chair” episodic, serial connection is “acted o’er” by an atavistic crisis actor, a designated “low life” patriot avatar, who is dressed in costume “red-white-blue”―flag and all; and who hangs a “green” chair in a tree, with a “red” brick, “black” roof-wall trimmed house in the background (i.e., “red-black-green” of the triad-color flag that is associated with the Marcus Garvey Pan-African, nationalist movement), to convey silent majority contemptuous “lifebycomparison” fixed ideas, aspirations and desires, to express disdain and repugnance for political and social “equality” with non-whites, and to serve as a doublespeak complicitenabler who just “happened” to instantly get worldwide attention in the mass media, on the eve of Eastwood’s blind-madness sketch of a negro code. Shit! All this didn’t Jes Grew into yo monkey’s uncle! As Ralph Ellison decreed, it is high time to: “Change the joke and slip the yoke.” For deeper, penetrating insights, see in Graham’s Teachable Moments, “Adversary ‘Myth Structure’ of the Manichean Leitmotif” and “Attitudes of Repugnance and the Racial Divide.”
Eastwood is a cunning and beguiled, cinema "craft" racist who is a member of "Friends of Abe," FOA, that is being called out for this "empty chair" sketch of a negro code--to "lynch" Obama! Clint Eastwood collaborated with director Don Siegel and starred in the movie, The Beguiled. As Serita Coffee has shown in her "tetranalysis" movie-coverage, presented in the video Memento Mori: Criticism of the Death-s-Head, The Beguiled is possibly the worst subliminal and most disturbing, racist movie ever made about a "supposed" angry black woman. She's "mad predator" enough to serve poison mushrooms to a Yankee soldier, who had "come" to "free" her, all for the "glory" of saving her white female enslavers— not to escape from slavery. In a word she (Peggy Drier as "Lizzie") has transmuted into the female, "Jupiter Hammon," an object of unfeeling and sui generis, entailed inheritance, along the pilgrimage path of Ezekiel 37; 47:11; and Peter 2:18.
In response to similar negating images of Black women in Hollywood movies, Sister Pearl Jr expressed outrage in her essay, “The Attack on Black Women Continues,” and, in counterpoint, "up-root of the evil," declared: “The Black Women’s Movement is on!” in Chapter One: ”Threading Waves,” with Pearl Jr., Christopher David Bentley, & Arthur J. Graham, Discrete Silence Essays. But what about the “antinomian enthused” Clint Eastwood?
Eastwood's antinomian "moral distance" of Manichean "life by comparison" is rooted in and justified by the mind sets of Mather Byles, Edmund Burke, Samuel Gilman, Caroline Howard Gilman, Caroline Lee Hentz, Horace Greeley, Leonidas Polk, John Calhoun, Albert Pike, William Simms, Edgar Allen Poe, Frank Norris, William Dean Howells, F. Scott Fitzgerald, William Styron, et al. These are the core players at the Autotelic Structure fountainhead that lead to a subliminal, cinema "craft" racist, to the entire establishment of the Academy of Motion Pictures Arts & Sciences, and to all interwoven "craft unions," including the Producers, Directors and Writers Guilds of America. Lest we forget, Edmund Burke is the Father of Conservatism!
[Must read - Fugitive Poets' and Tennessee Templars' creation, influence, and control of the Hollywood movie industry, and of "the leading school of literary criticism, which dominates the Modern Language Association (MLA)," by Stanley Ezrol. Source: p. 54, Subliminal Racism Essays @ http://www.larouchepub.com/other/2001/010902_ezrol_moreau.html ]
With striking similarity, this Raven motif of a Death’s-Head finds its way into the anti-war movie, TheBeguiled, directed by Don Siegel. Recall the movie’s ending on a frozen-frame focus on a dead raven, “feet” tied and bounded together, and hanging on a string which is suspended from the top rail of a veranda, rotting in the southern sun. This SUBLIM myth-structure is repeated in Eastwood’s Unforgiving, with the SUBLIM character NED LOGAN’s corpse in a coffin “standing the mark” as an odorous, rottingraven. LOGAN’s wife-widow is Native American, in the movie. Within the tradition of depicting symbolic "death and rebirth," the “Raven” motif has become the signature mark of both early writers, Albert Pike and Edgar Allen Poe.
Eastwood repeated his "that's my nigger" self again in the movie, Unforgiving, with Morgan Freeman as “Ned Logan” in servile character-role, giving his life at attempting to rescue a bunch of white prostitutes. He not only sacrificed his own life to save "degenerate," low-life, white folks, but he also deserted his Native American wife and family--even though he's "over forty"--to be Death For The Figurehead, a "foil" Shakespearian [Hamlet-like] corpse that is propped-up, as odorous rot in a pine coffin. How does that smell ["intasma"] for an acclaimed, "demonstrative," atavistic performance, Mr. Freeman?
Is the “Raven” motif as myth-structure beyond your reach and range of understanding just how and why Ned was transmuted into a Death’s-Head Set Before Us? Should we assume, perhaps like Mr. Freeman, that the “foil” trickster, Twany-indian-negro, Ned Logan, Jes Grew?
Y'al think about that. For extended tetranalysis coverages of Eastwood's movies with co-star, Morgan Freeman, see p. 57 to p. 118, "The 78th Academy Awards & Commentary," in Discrete Silence Essays. "Intasma" or smell of decaying corps, see p. 16, JIMP.
Revolt!
Lay down your precious Blacklike on this cursed soil.
Where you smelled the rot of your lynched brother.
Where they sold your black e’moma.
Never again her bosom, your comfort.
Spill blood, crimson soul!
Let it cleanse the soil upon which your precious mothers were violated.
[Source: The Nationals: A Black Happening in Three Acts (1968)]
The fixed idea that blacks―male or female, young or old―in art and in reality, is always a Death’s-Head Set Before Us, goes hand-in-hand with the concocted notion that blacks "must die" in order to save white property and lives, stems from early writers. Sarah N. North, in her critique, “The Mind of a Child: Images of African Americans in Early Juvenile Fiction,” brilliantly informs us that “white authors for the first time fashioned black characters who displayed above all else a childlike docility and heartfelt devotion to their white benefactors." In the novel, ThePlanter'sNorthernBride, for example, Caroline Lee Hentz noted that Aunt Kizzie, the “black nurse and nanny of her master’s child, would soon have thought of cutting off her head, as refuse to gratify its most unreasoning wishes”—meaning: “I would die for you if it would do you any good.” According to Sarah N. Roth, “These representations undercut the manhood of black men.” [Source: p. 46, JIMP. See, also, "History of Mrs. Hentz' Family: Maiden Name," p. 202, Southern Renaissance. ]
"They asked why he had done it, and he replied: 'Haven’t you heard of the Clint Eastwood thing with the empty chair?'
The legendary actor gave a speech at the Republican convention in Tampa earlier this month in which he performed an imaginary dialogue with a chair standing in for the President."
"A Charge to Keep" - Painting by the German W. H. D. Koerner appeared on the cover of The Saurday Evening Post, 1916.
In the book, A Charge to Keep, George W. Bush tells of being transmuted into a “mustard seed” upon receiving the blessings of Evangelist Billy Graham. “It was the beginning of a new walk where I would commit myself to Jesus Christ.” For a fact, beyond NWO occult "Aries" symbolism, mustard seed "new walk" transmuted into "mighty walk " God of Thunder, inventor of phantom WMD, and consummate, spineless war criminal. "Aries is ruled by Mars. Taking a peek at Roman mythology, we find that Mars was the God of War. Our man Mars was unafraid to do battle, and much the same can be said for Aries. These folks are bold, aggressive and courageous." [Source: "Aries" http://www.astrology.com/article/zodiac-signs-aries-sun-sign.html ]
With his Evangelic, religion-in-politics “charge to keep” and his pseudo-educational goal of “no child left behind” to promote, Bush II appeared before black and brown school children at Booker Elementary on “9/11” to launch his “reading program” and its curriculum—himself. But, apparently, the “attacks on America” aborted that “sub-text” scheme. The real, discrete scheme, however, was to enact the upcoming “Patriot Act” that was already “set up” to impose “negro cipher” Oscar Marion on us all, as a loyal, obedient, and faithful “Slave Patriot,” co-existing harmoniously in the Zionist Skull & Bones New World Order ― along the Grand Tour Lie, 1711 to 2153.
And why not? George W. Bush and his “strategic” speech writers, by way of the Autotelic Structure and its tradition of “mass media” trick and deception, modeled so-called “Oscar Marion” on the “Phillis Wheatley” archetype of mind control, subliminal racism. Why, one may ask, is the painted “slave” on his knees roasting “sweet potatoes” for the “master” Francis Marion? What’s so “sublime” about this? See pp. 172-174, Southern Renaissance and “Portraits & Patriots” pp. 36-39, JIMP, for the full and exclusive sublime expose of this cunning hoax.
In addition to the “Patriot Slave” decree, President George W. Bush’s proclamations established the National Museum of African American History Act (December 2001), and the National African American History Month (February 2002 ). For what? Were these “National Quarters" establishing "feel-good" diversionary acts to invent “Oscar” within the "slave tradition" of “Phillis Wheatley” and “Nat Turner” and “David Walker,” yet, as a another Death’-s-Head Set Before Us?
Be surprisingly mindful that this concocted and ongoing, parade of “negro ciphers” as “African American history” is the very “hidden language” of the Negro along the Grand Tour Lie. And who but Bush II and his entourage are the masters of this hidden, occult language, from day one, to have invented a Slave Patriot and to “set him” down in fake history and into a “National Museum” which is nothing more than a subliminal, racist graveyard? The notions and issues of maintaining two separate histories--one white and the "other" black--from Colonial times down to this day, are taken up and dealt with throughout Southern Renaissance. For damn sure, Bush II did not establish a "White American National Museum" to house Oscar Marion. Nor did Bush II Patriot Act make a "free, white, and twenty-one" redneck into any goddamn "patriot white slave." The "Wo Trumphet" sounds only for "leitmotivs--the negroes," in endless Manichean streams of WHITE "felt relation" checked by BLACK "life by comparison."
Will y'all be enrolling your kids in the "fully" integrated, "Phillis Wheatley Elementary School" in Orange County, California, to learn about so-called "Slave Patriot," Oscar "Sweet Potato" Marion? And will you take them to celebrate and enjoy the annual "Oscar Marion Birthday Circus" on the White House lawn, hosted by Hillary Clinton or by Donald Trump?
The sweet potato “had the reputation of being able to restore decayed vigour” (JIMP, p, 37). The Aries imagery of the Greek God of War―a cow herder or cowboy―hoovers over stereotyped, odorous “nigger Oscar” who is on the knees roasting sweet potatoes for the white masters to restore their conquerors’ vigour―what an odorous, New World Order Masonic pair of atavistic talisman! And, by way of fantasy becoming reality, down on his knees, “Oscar” offers the ritual meal, as well as himself, as a sacrificial, loyal, faithful, and obedient "foil” to restore the God of Thunder, Cowboy Aries, Dynastic George W. Bush’s, warmongering vigour, to go ‘head on and kick Saddam’s ass!
From this sacred, pilgrimage "charge to keep," regenerate man, Bush II resurrected “Oscar” from an unknown and unmarked grave on a canvass, put sinews on him, covered him with black skin, and pumped breath into him—peculiar aspects of the American Language—to be our bonified, “Patriot Slave.” With negro ciphers "archetypes" Phillis Wheatley, Jupiter Hammon, Nat Turner and David Walker before him as portrait models, NewWalk, Mustard Seed Bush II is caught, within this nefarious tradition of doing the dirty dance with triple death mantra—all while officially preparing and executing a cunning, vicious and most insensitive, racist typology of Ezekiel 37:6―ever perpetuated! Imagine!
Beyond mantra imagination, for historical fact, by way of the Bush II Congressional Patriot Act, negro cipher Oscar "Sweet Potato" Marion is the latest addition to "letters" of the hidden language of the Negro. In effect becoming, an "Invisible Man." Now, that's what I call "religion-in-politics theatre!" [Begin "mantra" excerpt}
Yes, the death mantra–here it is, the three-line Skull and Bones initiation-ritual theme that has bound three Presidents (including the present one) to their secret society:
Shame on us “all” for allowing this a-historical, slave-culture, psychopathic, distorted, macabre, and surrealistic hoax—Oscar "Sweet Potato"Marion —to manifest before our very eyes and to further corrode our dumb down minds.
INDULGING THE PUBLIC "TRUST" - BUSH FAMILY TRADITION
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II KINGS 13:20-21: "And Elisha died, and they buried him. And the bands of Moabites [Saddam Hussein's "bloodline" Muslims Terrorists] invaded the land at the coming in of the year" [9/11] "and when the man was let down [into the sepulcher of Elisha], and touched the bones of Elisha, he revived, and stood upon his feet."
DEUTERONOMY 2:9
And the LORD said unto me, Distress not the Moabites, neither contend with them in battle: for I will not give thee of their land for a possession; because I have given Ar unto the children of Lot for a possession.
REVELATION 6:6 6And I heard a voice in the midst of the four beasts say, A measure of wheat for a penny, and three measures of barley for a penny; and see thou hurt not the oil and the wine.7And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see. 8And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.
"For the past four years I have been researching the founding of this great country of America and its involvement in Freemasonry. Most of the founding fathers were involved with Freemasonry. You can read the research here. While doing this research, the number 13 is every where. To the Masons this is considered the most Masonically correct number. You can read some of my research into the number 13 here. In this particular article I would like to concentrate on our current President George Bush Jr. He became our 43rd President when Gore conceded to default on December 13th, 2000. When it was announced, I knew the occult significance of this number 13." EXCERPT.
"JIMP" Exposé: Achieving "the desired affect of fantasy becoming reality."
[with the]
Preface: "Healing the divide: An arrow fired from across 'The Water'"
by Christopher D. Bentley, UK-London
"JIMP" TO CONGRESS: For education reform and an end to Zionist White Supremacy.
NEW WORLD ORDER - Covenant Theology - MYSTERY KEY to 9/11: II KINGS 13:20-21
CONTERMINOUS ADDRESSES: DIVINE & PLACE ― A Death’s-Head “in gold,” repeating: White Folks' DARKEST MOMENT: Death For The Figurehead. [See p. 108, Southern Renaissance.]
The schoolchildren who shared America's darkest moment: Ten years on the class of 9/11 relive the moment President Bush heard the tragic news
Mother (died in 2007) & Son: Isis & Horus: What A Pair! ... Of Death's-Head Set Before Us. ... Mark of the "God of Thunder: Bush II"
With the added depth of the Southern Renaissance, we come into an awareness that Bush II was following in the tradition to "Dart the bright eye and shake the painted plume" of teacher Williams and the unsuspecting black children as "foundation sacrifice" in the classroom. History will show that "read to succeed" was and is a sham, a death’s-head designed, Hymn in the Morning. [Source: "Monkey Bars."]
Another emblemic FATHERLESS "black child sacrifice" — NO CHILD LEFT BEHIND — signed into law by "DE SWAMP FOX," leading to Booker Elementary School: LEITMOTIF THE NEGROES "FOIL" to obfuscate the mystery key to II KINGS 13:20-21— "America's Darkest Moment," with the enackment of THE PATRIOT ACT; by such an "arrogant act," PATRIOT SLAVE "OSCAR MARION" was deliberated imposed on the subliminak mindd-set of all of us in the mass media, includng all occults and conspiracy theorists. SAME SUBLIMINAL NWO POSITIONING with "POST- black" OTHELLO OBAMA ... with VP-ARIES and OSCAR ... "Do Dat mean?"
Obama signs health care legislation, March 23, 2010 -- PEDO JOE BIDEN update 1/15/2019 @
THE CONTINUITY OF THE "NWO" SUBLIMINAL "JOKE-YOKE" - NO CHILD LEFT BEHIND
Why is Biden "hoovering" over the shoulders of the "black male child," where is the child's father? Biden is seen "hoovering" likewise over the shoulders of a little "white girl" at a bill-signing ceremony. And what does these juxtaposed "drain the swamp photos" (Bush II & Obama) subliminally say about black child sacrifice and pedophiles? See "Uncle Joe Biden" doing his pedo-thang: https://www.youtube.com/watch?v=8Qasz_T97pY
ANSWERS? "Khazars full video" Zionist agenda & pedophiles -- Bush II "boy" in yellow; Obama "boy" with blue tie "connections."
Sarah N. North, in her critique, “The Mind of a Child: Images of African Americans in Early Juvenile Fiction,” brilliantly informs us that “white authors for the first time fashioned black characters who displayed above all else a childlike docility and heartfelt devotion to their white benefactors."
Russian President Vladimir Putin began the New Year 2017, by calling out Obama, a "joke."
Occult symbolism: TRUMP "hand/pointing finger" ... "Do dat mean, nigga!" ... "Yo Mama!" READ MORE @ "MEDIA WATCH DAILY" https://blackstudieslegacyfoundation.org/ Get REAL DEEP ... INTO COLOR SYMBOLISM w/Arthur Graham, "Southern Renaissance: Subliminal Omni Ciphers & the Autotelic Structure of the Land and Slave Kingdom of God" (2012; 138 pgs).
Hoffman won the Academy Awards "Best Actor" Oscar for his leading role in the movie, "Rain Man." Since Hoffman mentioned "subliminal racism" and shied away from "further elaborations" on what specifically he knows and understands about the origin and sources of the term in relation to the movie's "myth structure"; and since Sarah Palin, her infant ["idiot" or "disabled"] child is portrayed by certain biblical and astronomical assumptions alongside and in the presence of Rev. Billy Graham, Sarah Palin's MAVERICK pose after that of "Rain Man" became ideologically linked to the movie's theme, plot and characters. It is wise that Mr. Hoffman become deeply aware that his role as white "idiot" is discretely compared to "yellow" and to "black" idiots who played sublim death's-heard figures. This is to say, fixed "sub-text" ideas for depicting "increasing terror" in comparison to his "heroic" role, which is, indeed, for all purpose and intent, inspired by subliminal racism; that is, racist Manichean "felt relation" and "life by comparison."
Far from being co-incidental, the yellow and black "darkies" are callously mere "foils," as Albert Pike would have it, to the triumphant "light," the Luciferian hero. Behind the veil [i.e., EVIL] this archetype "Lucius" remains on a pilgrimage "myth of progress," a mere mechanical "symbolic" device for obfuscating racial differences. This "pilgrimage motif" is explained by way of a penetrating analysis of The Vestal; or, a Tale of Pompeii (1830)—I have more than a "hint" who the unknown author is and will disclose my findings in a forthcoming essay. See "Gray Tradition and the Power of Evil," in The Manichean Leitmotif, p. 117 to p. 120.
Furthermore, along the myth-structure pattern of "Rain Man," Hoffman's "retard" character-role may be cons crewed to be that of the symbolic and cosmic "child," the Southern Ass ... an emblem of Typhon, the king who smites or is smitten, a member of the Tribe of Issachar, a recipient of Jacob's blessing [Gen. 49:11: a servant under task work], and, by political designs, a faithful mark of "eternal rest," [Psa. 89:19] within a uniquely "disabled" Evangelistic mansion in our "Father's" house.
Source: Segment: "Rain Man, Death Panel & BGEA," in Teachable Moments, p. 35. See "servant" as "Savant Syndrome" - medical propaganda in terms of the "Autotelic Structure of writing, race, and difference." Excerpt - example: "Charlie, like Raymond, also has learned something more about feelings ["felt relation"] and affection ["sympathy"]. Just as Raymond’s wall of autism has yielded a bit, so has Charlie’s wall of callousness yielded as well. They were just different ["life by comparison"] kinds of walls." @ https://www.wisconsinmedicalsociety.org/professional/savant-syndrome/resources/articles/rain-man-the-movie-rain-man-real-life/
We have been tracking Rain Man since it was first released; we have a long-standing psychological and ideological interest in its depiction of “autism” within the “sub-text” of the movie in similar fashion of associating skin color symbolism to terror and death aesthetics of the Hollywood Color Code. This history of the movie’s “first coming forth” allows us the “leap” necessary to penetrate the movie’s connection to Sarah Palin’s so-called “Maverick” persona in today’s politics, the disabled “child motif.” [Source: Teachable Moments, p. 34.]
For the history of the seminal source of the term “Hollywood Color Code,” coined by Arthur Graham, and based on his original analytical metaphor, the “triadic color structure,” see the report, “Hollywood’s Color Code,” in TheNationalAlliance: Viewpoint, NYC, June 25, 1992; reprinted in IMAGE COVERAGE: Academy Awards and Other Movie Reviews, by Graham & Coffee, p. 76 –p. 77
PROOF NWO & ILLUMINATI ARE REAL & HISTORY IS A LIE
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This book presents a unique, tetranalysis™ documentary of collected “works and studies.” It is an aesthetic, ideological, religious, and marketing exposé of the origins and continuity of a certain Myth in Code: Negro Cipher Phillis Wheatley. It is an examination, evaluation, and exclusive critique of early textual “specimens” and of recent tangential, mass-media “excerpts” that may or may not contain subliminal messages. Overall, my purpose is to identify and to explicate this myth in code, cipher Wheatley, as it is consciously and unconsciously structured and formed, synchronically and diachronically, by way of Samuel Gilman’s Manichean doctrine of contrasted extremes. As a narrative force, this doctrine tends to convey and to induce racial divide differences overtly throughout the popular culture as well as covertly within the individual’s “subliminal” or “autotelic” mindset. 
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The symbol — shown in the photo on an interior window in the Carter G. Woodson Center — is based on a mythical bird with its feet firmly planted forward with its head turned backwards. Thus, the Akan believe the past serves as a guide for planning the future. To the Akan, it is this wisdom in learning from the past which ensures a strong future.
Dr. Anna Schmidt 
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